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DANCE

RHYTHMIC BODILY MOVEMENTS. EXPRESSING IDEAS & EMOTIONS. DANCE. ACCOMPANIED BY MUSIC. PRINCIPLES OF DANCE. CLIMAX AND RESOLUTION CONTRAST REPETITION SEQUENCING AND DEVELOPMENT TRANSITION UNITY VARIETY. CONTRAST. COMBINATION OF UNLIKE MOVEMENTS. FAMILIARITY. EMPHASIS.

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DANCE

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  1. RHYTHMIC BODILY MOVEMENTS EXPRESSING IDEAS & EMOTIONS DANCE ACCOMPANIED BY MUSIC

  2. PRINCIPLES OF DANCE • CLIMAX AND RESOLUTION • CONTRAST • REPETITION • SEQUENCING AND DEVELOPMENT • TRANSITION • UNITY • VARIETY

  3. CONTRAST COMBINATION OF UNLIKE MOVEMENTS

  4. FAMILIARITY EMPHASIS

  5. ORDERING OF MOVEMENT (SEQUENCING) MEANINGFUL WAY (DEVELOPMENT) CREATES CONTINUITY

  6. TRANSITION TO CONNECT THE SEQUENCE OF MOVEMENTS

  7. PARTS CONTRIBUTE TOGETHER TO CONTRIBUTE TO THE WHOLE DANCE

  8. CREATING UNLIKE MOVEMENTS IN LENGTH & STRUCTURE

  9. ELEMENTS OF DANCE • DANCER • CHOREOGRAPHY • DESIGN • SUBJECT • MOVEMENTS • TECHNIQUE • COSTUMES • PROPERTIES • SET DESIGN • OTHER THEATRICAL ELEMENTS

  10. MOST IMPORTANT ELEMENT DANCER EXECUTES STEPS

  11. CHOREOGRAPHY DANCE DIRECTOR OVER-ALL DESIGN ASSIGNS STEP

  12. DESIGN PATTERN OF MOVEMENTS POSITIONING OF THE DANCERS

  13. SUBJECT MESSAGE OF THE DANCE THEME

  14. STEPS: ONE POINT ON STAGE TO ANOTHER MOVEMENTS GESTURES: MOVEMENT OF HEAD, EXTREMITIES, BODY PARTS FACIAL EXPRESSION: MOVEMENT OF FACIAL PARTS

  15. TECHNIQUE STYLE OF EXECUTING THE MOVEMENTS QUICKLY OR SLOWLY/ GRACEFULLY

  16. DANCE COSTUMES THINGS WORN BY THE DANCERS

  17. PROPERTIES THINGS CARRIED BY THE DANCERS

  18. SET DESIGN BACKGROUND THAT INDICATES THE PLACE OF ACTION

  19. PHILIPPINE FOLK DANCES • ALAY • ESCOTIS • SINGKIL • OBANDO DANCE • PALAKIS • PANDANGGO SA ILAW • ATI-ATIHAN

  20. KINDS OF DANCE • ACCORDING TO THE NUMBER OF PERFORMERS • ACCORDING TO SUBJECT OR CONTENT • ACCORDING TO THE NATURE OF THE DANCE • ACCORDING TO PURPOSE

  21. DANCE ACCORDING TO THE NUMBER OF PERFORMERS PAIR ALONE GROUP

  22. DANCE ACCORDING TO CONTENT WAR DANCE

  23. COURTSHIP DANCE

  24. METHODOLOGY OF PRIMITIVE COMMUNITIES NOT INFLUENCED BY SCIENCE TO BETTER UNDERSTAND THEIR ENVIRONMENT THERE ARE THINGS BEYOND ONE’S CONTROL COMMUNAL DANCE

  25. LOSS OF SELF SEARCH FOR MAGICAL MASTERY OVER NATURE REPETITION OF MONOTONOUS MOVEMENTS STAMPING OF FEET ON THE GROUND BENT KNEES DRUMS PRIMITIVE DANCE

  26. MYTHOLOGY RATHER THAN MAGIC RITUAL DANCE

  27. DANCE ACCORDING TO ITS NATURE IMITATIVE E.G. TINIKLING Imitation of the tikling bird dodging bamboo traps set by rice farmers.

  28. RELIGIOUS DANCE

  29. DANCE ACCORDING TO PURPOSE FOLK OR ETHNIC DANCE PERFORMED BY MEMBERS OF A TRIBE

  30. SOCIAL OR BALLROOM DANCES PERFORMED BY PAIRS IN BALLROOMS TO SOCIALIZE

  31. SPECTACULAR OR THEATRICAL DANCE

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