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Post-Impressionism. Cezanne and Van Gogh. Started with Impressionism but went further towards abstraction . “Avant Garde”. The painting as an object, not just an image Emphasis on personal expression. Post-Impressionism. The Two Biggies.
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Post-Impressionism Cezanne and Van Gogh
Started with Impressionism but went further towards abstraction. “Avant Garde” The painting as an object, not just an image Emphasis on personal expression Post-Impressionism
The Two Biggies • Each has been called “The Father of Modern Painting” • Paul Cezanne (1839-1906) • Famous during his last ten years • Vincent Van Gogh (1853-1890) • Famous only after death • Others include Seurat, Gauguin, and Lautrec
Paul Cezanne • The artist’s favorite / an isolated character • Quit law school to become a recluse painter • Exhibited with the Impressionists at first • Consistently rejected by the Salon • Subject matter never as important as the act of painting • Rarely signed his work - never good enough • Intensity scared his models for portraiture - (he was a butt head) Self-portrait - 1882
Wanted to take Impressionism and make it more solid. The Card Players - 1890-92 (“kidnapped” in 1961)
Over 40 portraits of his wife, but none show an exact likeness - or any feeling whatsoever. Portrait of Mme. Cezanne in Yellow Chair - 1888-90
Tension between flatness and 3-d illusionistic space 1890-94
Mont. Sainte-Victoire, 1898-1902 Landscapes painted indoors from sketches
“In art, everything is theory, developed and applied in contact with nature.” Adjusted the subject matter for pictorial harmony 1904-06
Dead at age 67 • “There is only one painter in the world - ME.” • Fame came during the last ten years of his life and really exploded after his death. • Tension between • Flat and three-dimensional • “Real” and Illusion
Vincent Van Gogh Cezanne to Van Gogh: “Sir, you paint like a madman!” Self-portrait 1888
Vincent Willem Van Gogh • Used color for emotionalexpression • The “heroic” originator of the stereotype of the “avant garde” artists ever since • 10-year career - started painting at age 27 (1700 works!) • Basically self-taught • Each painting a personal message • “...not to please certain taste in art, but to express a sincere human feeling.” • Naive, vulnerable, and even mentally ill, but never an idiot Sunflowers - 1888
Pre-art life and early work Self-portrait 1886 Loved humanity but couldn’t get along with people
Letters to Theo661 in all! “One must undertake [work] with confidence, with a certain assurance that one is doing a reasonable thing...”
Moved to “Japan” (Arles) in 1888 – produced 200 paintings in 15 months The Sower - 1888
Detail - the Sower He used strong color to “give hope to poor creatures.”
Olive Grove Olive Trees - 1888
Portraits in Arles (1889) Joseph Roulin Madame Ginoux
Paul Gauguin The Vision After the Sermon (Jacob wrestling with the Angel), 1899
Committed himself to the sanitarium at Saint-Remy in 1889(think of Russell Crowe in A Beautiful Mind) Experiments with color Self-portrait - 1889 (note ear)
Portrait of Dr. GachetAuvers, 189070 canvasses in 65 days! On his one and only sale and article (1890): “...in a painter’s life, success is about the worst thing that can happen.”
Final Self Portrait - dead at 37 “...what’s the use?”
Within 25 years,he was being universally hailed as the father of modern art
Where did these guys lead us? • Fauvism • Cubism • Expressionism • Abstract Expressionism • Etc. etc. etc.
Fauvism Mme. Matisse - 1907 Henri Matisse Seated Riffian - 1913
Cubism Pablo Picasso - Les Demoiselles d’Avignon - 1907
Cubism Pablo Picasso - Les Demoiselles d’Avignon - 1907
Expressionism Max Beckmann - Carnival - 1942-3 Edward Munch - The Scream 1893
Abstract Expressionism Jackson Pollack - Lavender Misk One - 1950
Josef Albers - Homage to Square - 1965 Josef Albers - Homage to Square - 1968