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Realism/A national art Giles Edgerton p. 6

This collage represents a painter's interpretation of freedom through forms, colors, and words, drawing analogies to dance, propellers, and bullets. Explore the avant-garde movements that challenged traditional art norms in early 20th-century America.

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Realism/A national art Giles Edgerton p. 6

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  1. Realism/A national art Giles Edgerton p. 6 Robert Henri p. 8 (American art cannot be created from the outside in; patriotism of soul; beauty of his own environment; the individual expression)

  2. The Ashcan School Robert Henri, The Dutch Girl, 1913, o/c, 24 1/4 x 20 1/4 in Snow in New York, 1902, o/c, 32 x 25”

  3. John Sloan Election Night, 1907, o/c, 26 x 32

  4. John Sloan / the common people Six o’clock, Winter, 1912, o/c, 26 x 32”

  5. Modernism Arthur Wesley Dow p. 12 – the primacy of form American exceptionalism? p 13 De Casseres p. 14 elitism Huntington Wright p. 15 elitism & formalism (= music) John Weichsel p. 16 democratic art Coady pp. 21,22 - Breakdown of division between high and low art Eli Nadelman – music/formalism/abstraction

  6. Wassily Kandinski Composition VIII1923 (140 Kb); o/c, 55 x 79” Piet Mondrian, Composition with Red, Yellow and Blue1921; Oil on canvas, 39 x 35 cm

  7. Max Weber, the fourth dimension pp. 23, 24 In the Park,1910, watercolor, 12 x 9” Grand Central Station, 1915, o/c

  8. John Marin Brooklyn Bridge, ca. 1912, Watercolor and charcoal on paper; 18 5/8 x 15 5/8 in (Italian futurism)

  9. John Marin St. Paul's, Manhattan, 1914 Watercolor and charcoal on paper; 15 5/8 x 18 7/8 in.

  10. This collage is an example of a painter's interpretation of the words-in-freedom. The artist explained that his use of forms, colors, and words suggest analogies between a dancer's movement, a whirring propeller, and a flying bullet. Italian Futurism

  11. Umberto Boccioni. (Italian, 1882-1916). States of Mind I: The Farewells. 1911. Oil on canvas, 27 3/4 x 37 3/8"

  12. Georgia O’keefe, Blue and Green Music, 1919, o/c

  13. Photography - is Photography art? The question of ‘stright’ or ‘pure’ photography Charles Caffin p. 28 Paul Strand pp. 29, 30 Paul Strand, New York City, 1916, platinum print, 9 5/8 x 12 15/16 in.

  14. The Armory Show Arthur Jerome Eddy pp. 35 – 36 Paula Haviland p. 38 Louise Norton, Buddha of the Bathroom p. 40

  15. Marcel Duchamp Fountain, 1917 (original lost) Nude Descending a Staircase, 1912, o/c 57 x 35”

  16. The Bride Stripped Bare by Her Bachelors, Even (The Large Glass). (1915-23). Oil,varnish, lead foil, lead wire, and dust on two glass panels. 109" x 69".

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