1 / 13

The French Connection: Line Printing and Pochoir Dr. Susannah Brown and Jess Johnting

The French Connection: Line Printing and Pochoir Dr. Susannah Brown and Jess Johnting Florida Art Education Association Florida Atlantic University College of Education Department of Teaching and Learning.

boley
Download Presentation

The French Connection: Line Printing and Pochoir Dr. Susannah Brown and Jess Johnting

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. The French Connection: Line Printing and Pochoir Dr. Susannah Brown and Jess Johnting Florida Art Education Association Florida Atlantic University College of Education Department of Teaching and Learning

  2. Pochoir:The Cooper-Hewitt National Design Museum Library, Smithsonian Institution Libraries • France from 1900 through the 1930s • Art Nouveau and Art Deco style • Early 20th century, there were as many as 30 graphic design studios in France, each employing up to 600 workers Illustration by Umberto Brunelleschi (1879-1949)

  3. Illustration (plate 16) by R. Panzani Illustration (plate 11) by Edouard Benedictus (1878-1930)

  4. Pochoir Process • a découpeur would cut stencils with a straight-edged knife • coloristes applied the pigments using a variety of different brushes and methods of paint application • thick paint medium, gouache applied by daubing, spraying, spattering, or sponging • labor-and time-intensive http://www.sil.si.edu/ondisplay/pochoir/intro.htm

  5. Illustration (plate 10) by Sonia Delaunay (1885-1979)

  6. Illustrations by George Barbier (1882-1932)

  7. Illustration (plate 14) by Edouard Benedictus (1878-1930)

  8. Illustration (plate 10) from Garcelon’s Inspirations

  9. Student Samples

  10. Creating Styrofoam Print on Paper • Sketch your design on paper. Transfer your design onto the styrofoam plate. Press deeply to indent. • Use brayer to spread ink onto styrofoam. • Place paper on top of inked plate and press down to create print. (Print 2-3) • Dry prints and place wax paper between each one.

  11. Creating your Stencil • Create a stencil using your original drawing. • Lay plastic transparency on top of sketch. • Determine sections where you wish to add color to your styrofoam print. • On the plastic transparency, outline sections to be cut out. • Cut stencil (X-acto knives and cutting mats)

  12. Pochoir Technique • Lay stencil on top of dry print. • Mix gouache with very little water. (thick paste) • Use bristle brush to apply color of choice in cut out areas. • You can apply the color using different techniques. (daubing, spraying, spattering, or sponging) • Enjoy!

More Related