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Art in Mesopotamia. Early Art. Early art is consistent with other areas, demonstrating many features descended from the Upper Paleolithic This female figure is from 6000 BCE
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Early Art • Early art is consistent with other areas, demonstrating many features descended from the Upper Paleolithic • This female figure is from 6000 BCE • This changes, however, with the rise of cities and the centralization of power, and would continue to change with each change in leadership.
The Sumerians • Emphasis on permanence • Sculptures from durable clay or stone; then painted • Some painting used to decorate buildings, in plant-based or geometric motifs • Sculptures were of realistic human figures, animals • Left – 2400 BCE – statue of a local superintendent
Ram in a Thicket • Excavated in Ur, dating from around 2600-2400 BCE • Made from gold-leaf, copper, shell, and lapis lazuli • Likely used to support a bowl or basin
The Standard of Ur, part of a box, chest, or case • From about 2600 BCE • Inlaid shell, lapis lazuli • Oldest known depiction of wheeled vehicles
Also made sculptures in relief, sometimes with inscriptions to accompany or explain the scene. • Stele of the Vultures, 2600-2350 BCE
Common people of this time would also have art in the form of molded pottery and small figures • Official reliefs would often be accompanied by an inscription, while temples would have art to commemorate events or religious figures, but rarely had accompanying inscriptions • This style remained dominant with the Akkadians and the Babylonians, as well
Assyrian Style – 1500-612 BCE • With the fall of the Babylonian empire, the Assyrian style became dominant • The public art became grandiose in style, with an emphasis on stone and alabaster reliefs, but very little three-dimensional art • Likely trying to match the styles predominant in Egypt • Subject matter focused on royal affairs, including hunting and war scenes • Animals such as horses, lions • Humans were very detailed, but also very rigid, static, and emotionless
Another common image were winged male figures, sometimes called “winged genies” • Sometimes were presented with the heads of birds • Were sages or apkallus – godlike humans, either from a mythical earlier time or selected by the god Marduk to go to Ea, a divine realm • Offered supernatural protection and wards against evil
Lamassu • These were the exception to the lack of three-dimensional art • Guardian statues and symbols of the rulers’ power • Used at gateways and entrances to palaces • Smaller, engraved versions were used by common people as household protectors
Neo-Babylonian art – 611-539 BCE • Gates were elaborately decorated with coloured tiles • The Ishtar Gate from 575 BCE served as the main entrance to Babylon • Glazed bricks, golden relief animals on a blue background • A reconstruction made from much original material is in the Pergamon Museum in Berlin.