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Mesopotamia Art. Map Mesopotamia. Female Head from Warka. Marble on wood backing Disproportionately large eyes with steady gaze Eyes were windows to the soul Distinguish human from animal? All-seeing vigilance of gods?. Burial Art. Sumerian Art was often portable (nomadic connections?)
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Female Head from Warka • Marble on wood backing • Disproportionately large eyes with steady gaze • Eyes were windows to the soul • Distinguish human from animal? All-seeing vigilance of gods?
Burial Art • Sumerian Art was often portable (nomadic connections?) • Gold headdress was found in royal tomb of Ur
Deities from Abu Temple • Inscriptions on base (not shown) indicate divinity • Large eyes-- godlike vision? • Large size, relative to other figures, also indicates divinity
Votive Figures-Abu Temple • Large figures deities • Smaller figures worshippers • Votives left to offer constant prayer on behalf of donors • Hands clasped across chest in attitude of prayer • Wide-eyes symbolize eternal wakefulness
Ebihil- Superintendent of Mari • Votive from powerful man in Mari • Hands clasped in attitude of prayer • Made of alabaster • Eyes inlaid with semi-precious stone
Mosaic Cones- Warka • Glazed and fired clay cones inserted into wall of building to create protective skin • Inserted in decorative pattern
Sargon I • Bronze bust • Gem- eyes pried out by thieves
Victory Stele of Naram-Sin • Size, height, and horned helmet of Naram-Sin reflect god-like powers claimed by kings of Akkad • Naram-Sin climbs mountain and is closer to gods • Naram-Sin walks on defeated enemies • Astral bodies representing gods, shine on his victory