1 / 12

The Story of the Eye Georges Bataille (1897-1962)

The Story of the Eye Georges Bataille (1897-1962). French intellectual, anthropologist, writer, economist , sociologist , philosopher initially a big fan of surrealism* interested in human sacrifice, ritual, expenditure pure loss, pleasure, total commitment

catrin
Download Presentation

The Story of the Eye Georges Bataille (1897-1962)

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. The Story of the EyeGeorges Bataille (1897-1962) French intellectual, anthropologist, writer, economist, sociologist, philosopher initially a big fan of surrealism* interested in human sacrifice, ritual, expenditure pure loss, pleasure, total commitment potlatch, human sacrifice, orgasm, annihilation

  2. The Story of the EyeGeorges Bataille (1897-1962) • founded in Paris between WWI and WWII • focus on the unconscious, dreams, the occult • belief that the conscious mind keeps us from the truth • automatic writing, exquisite corpse game, ouja boards • drugs, séances, altered states of consciousness • juxtaposing ordinary items to make the everyday superreal • the chance meeting of an umbrella and a sewing machine on an operating table • Salvador Dalí, André Breton, Max Ernst, Giorgio di Chirico, Man Ray, Paul Eluard, Michel Leiris, &c. &c. • aim is to discover the truth that is hidden from us by civilization, consciousness, prudery SURREALISM

  3. The Story of the EyeGeorges Bataille (1897-1962) SURREALISM

  4. The Story of the EyeGeorges Bataille (1897-1962) SURREALISM

  5. The Story of the EyeGeorges Bataille (1897-1962) SURREALISM

  6. The Story of the EyeGeorges Bataille (1897-1962) story of erotic awakening of the narrator and Simone teen love, tender discovery of their erotic/sensual sides they wait to make love, preserve their innocence as love blooms

  7. The Story of the EyeGeorges Bataille (1897-1962) story of erotic awakening of the narrator and Simone teen love, tender discovery of their erotic/sensual sides they wait to make love, preserve their innocence as love blooms

  8. The Story of the EyeGeorges Bataille (1897-1962) story that begins with innocence and rapidly moves through depravity Episodes: I – Narrator and Simone on the beach (avec Marcelle) II – Narrator, Simone at Simone’s III – orgy at Simone’s @ which Marcelle masturbates in the wardrobe (not in Narnia anymore!) and urinates and breaks down IV – 2 Attempts to break Marcelle out of asylum; final success V – Marcelle hangs self in wardrobe and narrator and Simone have sex next to her corpse VI – they flee to Spain (as one does) and meet Sir Edmund VII – bull fight and ughness

  9. The Story of the EyeGeorges Bataille (1897-1962) we have to talk orbs – this is after all the story of the eye - eyeballs - eggs - testicles Castration, testicles, fertility, origins, muck and fuck Bullfight – masculinity, display, seduction, sex and death el Granero’s eyeball inter urinas et faecesnascitur selfhood and subjectivity there is nothing inside you, no core self just a void, absence, pleasure – orgasm (jouissance) is the vision of this emptiness a cosmic nothingness

  10. The Story of the EyeGeorges Bataille (1897-1962) • and we have to talk fluids • - egg • - urine • - semen • - blood • madness • sex/death • pain/pleasure • the self and others • “l’enfer, c’est les autres” (Sartre) • at the same time, the unruliness of desire, lust, pleasure • the danger of unsavoury revelation

  11. The Story of the EyeGeorges Bataille (1897-1962) • unsavoury revelations: • - children are sexual beings • - children are violent beings • - morality is learned and repressive • Freud – Civilisation and Its Discontents • true enjoyment must be unfettered and unburdened • only pure expenditure, pure release can be fully gratifying • Hard to believe it, but this will make de Sade look vanilla • and the mid-term seem like …

  12. The Mid-Term • Next class is the mid-term • you may NOT bring any books, notes, devices, etc. with you • it will take the whole class; when you are done, you are done • when we return: • from Myra Breckenridge • from Justine, or Philosophy in the Bedroom [both selections] • “Marriage à la Mode”

More Related