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Transformations

Transformations. Claire Liu Aram Hur Soung Lee Melody Dye. APHRODITE. Galatea. PYGMALION. The Greek Myth of Pygmalion. Source: Ovid – Metamorphoses. Excerpt: “He kisses her white lips, renews the bliss, And looks, and thinks they redden at the kiss…”. Themes: Man shapes woman

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Transformations

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  1. Transformations Claire Liu Aram Hur Soung Lee Melody Dye

  2. APHRODITE Galatea PYGMALION

  3. The Greek Myth of Pygmalion Source: Ovid – Metamorphoses Excerpt: “He kisses her white lips, renews the bliss, And looks, and thinks they redden at the kiss…” Themes: Man shapes woman Shapes himself in the process Love is the final transformation

  4. Literary Adaptations • Pygmalion (play) • By George Bernard Shaw • Adds dimension of social commentary on class to a love story • “Phonetics Professor Henry Higgins tutors the very Cockney Eliza Doolittle, not only in the refinement of speech, but also in the refinement of her manner.” • The ideal of a woman is based on speech not virtue • Love story is never resolved • Le Roman de la Rose (poem) • By Guillaume de Lorris • 13th century French vernacular poem • In this version the sculptor attempts to animate the statue, with which he has fallen in love, by playing various musical instruments • Influenced such literary greats as Geoffrey Chaucer, Dante and Petrarch

  5. Movie Adaptations Pretty Woman My Fair Lady She’s All That

  6. Based directly off of George Bernard Shaw’s play • Form: musical • Accessible to a broader audience • Brings characters to life with fancy costumes, sets with rich heritage and music • Galatea portrayed as street urchin/ flower girl whose father is an alcoholic • Speech is an indication of status • Language is deliberately presented at extremes • Use of music to underscore certain phonetic sounds • The rise of woman over her creator

  7. From Cockney to Classy

  8. Based off of the Greek myth • Form: blockbuster film • Accessible to a wide audience • Use of Hollywood, Rodeo Drive and brand names to convey transformation of class • Dress as an indication of status • Ironic that the Galatea figure is portrayed as a prostitute • Love story more central, Aphrodite solidifies transformation (relates back to original myth) • Language has little bearing • Learns the new social code of the higher class

  9. From Prostitute to Princess

  10. Based very loosely off the myth • Form: chick-flick • Superficial treatment of original, transformation occurs in ten minute makeover • Status determined by popularity • Set in high school • Weakest of many film adaptations • Diverges from original plot in that male does not craft female as intended love interest • Transformation instigated by cheap bet

  11. From Geeky to Gorgeous

  12. That’s All Folks!

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