1 / 12

Film Industry Transition from 2K to 4K

Film Industry Transition from 2K to 4K. Dan Leonard Associate Dean, Professor & Chief Technological Officer. Dodge College.

derex
Download Presentation

Film Industry Transition from 2K to 4K

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Film Industry Transitionfrom 2K to 4K Dan Leonard Associate Dean, Professor & Chief Technological Officer

  2. Dodge College Dodge College has more than 1,405 film and media arts students (1,122 undergraduate and 283 graduate students), 40 full-time faculty and 80 adjunct faculty. The program is small enough to be overwhelmingly hands-on, yet well-equipped enough that students rarely have to wait for a camera or AVID station. Students at Dodge College of Film and Media Arts, study under master storytellers who’ve honed their crafts over a lifetime of award-winning work and who have a combined filmography of more than 300 feature films — a record unmatched by any other film school in the country.

  3. Professional Environment Classrooms Stages Cameras Film Scanning Editing Theatre IT Infrastructure

  4. International Opportunities HengDian Studios, China

  5. Industry Standard Tools

  6. Camera to Storage 35mm Camera 35mm Film Film Scanner Storage 4Gb FC Digital Camera Flash Card Transfer Station/DIT Storage 1GbE 10GbE 4Gb FC

  7. 2K vs. 4K 4K Projection 4096 H x 2160 V 8,847,360 pixels 8.8Gb/s 8.8Gb x2 (3D) 2K Projection 2048 H x 1080 V 2,211,840 pixels 2.2Gb/s 4,4Gb/s (3D)

  8. Camera Acquisition – 4K 4K RAW (4096 x 2160), 24fps, 10-bit: 253.125 Megabytes per second 15.2 Gigabytes per minute – 911.3 Gigabytes per hour (3D x2) 4K RAW (4096 x 2160), 24fps, 12-bit: 303.75 Megabytes per second 18.2 Gigabytes per minute – 1.093 Terabytes per hour (3D x2) 4K RAW (4096 x 2160), 24fps, 16-bit: 405 Megabytes per second 24.3 Gigabytes per minute – 1.46 Terabytes per hour (3D x2) Hollywood films are doing 50-150 hours or more of footage, 150 hours of footage in 4K RAW 3D 10-bit 4K, we end up with 273.375 Terabytes back that up in triplicate? 820.125 Terabytes. SONY F65 Camera

  9. Film Scanning – Data Rates DPX 10bit LOG (24fps) file sizes per FRAME SECOND MINUTE HOUR High Def(1920 pixels by 1080 lines) 8.2 MB 197 MB 11.53 GB 692 GB 2K Data(2048 pixels by 1556 lines) 12.5 MB 300 MB 17.6 GB 1.03 TB 4K Data (4096 pixels by 3112 lines) 50 MB 1.2 GB 70.3 GB 4.1 TB 150 hours of footage in 4K DPX 10-bit 4K, we end up with 615 Terabytes Double that for projection

  10. Storage to Theatre Offline Editing Real Time Editing 1GbE 1GbE 4Gb FC Color Uncompressed Compressed 2.2Gb 2k 8.8Gb 4k Projection Sound Uncompressed

  11. Film Industry Requirement 10Gb+ Ethernet 16Gb+ Fibre Channel

More Related