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Jen Stark

Jen Stark. Workimage _ escultura em papel. avançar com clic. Ligar o som. Degrees Of Lightness Jen Stark. Degrees Of Lightness installation, 40 ft. wall, construction paper 2006 Jen Stark. Production Line ALL Jen Stark.

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Jen Stark

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  1. Jen Stark Workimage _ escultura em papel avançar com clic Ligar o som

  2. Degrees Of Lightness Jen Stark

  3. Degrees Of Lightness installation, 40 ft. wall, construction paper 2006 Jen Stark

  4. Production Line ALL Jen Stark

  5. Line ALL :Two-dimensional circles jumping out of the frame Detail of Production Line: Triangle, Circle, Square Jen Stark

  6. 3 Half Circle Jen Stark

  7. 3 Half Circle ROLL Jen Stark

  8. Do you have a certain method of cutting? For example, how did you achieve these multiple layers in “Anatomical Evolution”? 11 x 14, hand-cut stack of construction paper

  9. Afterglow Jen Stark

  10. I cut each layer of paper one by one and then put them together. I always cut by hand using an X-Acto knife. It is a bit time-consuming, but I like it! Resembling geographic depictions of differences in altitude: “Microscopic Entry.” Jen Stark

  11. Look at these intriguing, repetitive shapes like eruptions by Miami-basedJen Stark: Her three-dimensional, kaleidoscopic paper art is simply hand-made with dozens of layers of thick coloured paper. With her abstract geometrical patterns just shown in the newTactilebook by DGV

  12. Peephole Jen Stark

  13. Peephole Jen Stark

  14. Peephole Jen Stark

  15. Triangle Jen Stark

  16. Triangle Roll Jen Stark

  17. Square Jen Stark

  18. Square Roll Jen Stark

  19. Circle Jen Stark

  20. Circle Roll Jen Stark

  21. Intricate paper works resembling three-dimensional objectsPRIMARIES-all Red Blue Yellow Jen Stark

  22. Roughly how many layers goes into one piece? PRIMARIES - Blue Jen Stark

  23. It can range from about thirty to eighty, depending on the piece. PRIMARIES - Blue Jen Stark

  24. And how do you choose the order of the colours in the stack? PRIMARIES - Red Jean Stark

  25. I usually buy a stack and then arrange it how I think the colours look good together. PRIMARIES - Red Jean Stark

  26. I try to spread them out a bit so they are mixed up and contrasting colours are next to each other. PRIMARIES - Yellow Jen Stark

  27. PRIMARIES - Yellow Jen Stark

  28. Color Gradient card stock mounted on archival art Jen Stark

  29. Tendency of any body on the Earth’s surface to drift to the side due to the planet’s rotation is called the “Coriolis Effect “ Coriolis Effect ROLL Jen Stark

  30. Here, we see paper drifting to many sidesCoriolis Effect ROLL Jen Stark

  31. Coriolis Effect DETAIL Jen Stark

  32. Coriolis Effect DETAIL ROLL Jen Stark

  33. Point Of Exposure Jen Stark

  34. Point Of Exposure Roll Jen Stark

  35. ConeAmbiguous Jen Satrk

  36. The “Cylinder Paper Cut” with a solid surface that’s cut open caught my eye: Could we see the paper layers as a symbolic representation of the inner layers of people, or objects…? Definitely. You are one of the first people to mention this. A metaphor for people’s multiple inside layers… “Cylinder”: Paper Cut Jen Stark

  37. I like to make the insides very colourfully confusing. You can relate it to people or things being so complicated and elaborate on the inside. Yet the outside layer is usually white to show that something may look simple and ordinary on the outside – but the inside is beaming with colour! Cynlinder Roll Jen Stark

  38. About the mysterious “Untitled”: Is it inspired by kind of aMandala? How do youdevelop it? It is mainly inspired by geometric patterns. I just cut a shape and slowly change it as the layers progress. With these kind of sculptures I usually don’t know what the end design will look like. The Mandala-style “Untitled.”Sculpture 03 Jen Stark

  39. The Mandala-style “Untitled.” Sculpture Jen Stark

  40. Paper Anomaly Jen Stark

  41. Paper Anomaly Roll Jen Stark

  42. Sculpture Burst Jen Stark

  43. Sculpture Burst Roll Jen Stark

  44. Piece of an Infinite Whole Jen Stark

  45. Piece of an InfiniteWhole Roll And the same hole - with a depth of 4 ft and a diameter of 2 ft Jen Stark

  46. I like the fact that it is so common and usually used two-dimensionally… and I’m trying to show what it can do View Inside PeepholeALL: sculpturally and how much it can be transformed with such little changes. Jen Stark

  47. View Inside Peephole … and the awesome, illuminated Jen Stark

  48. Peephole01 ROLL Jen Stark

  49. Peephole02 Jen Stark

  50. Peephole02 ROLL Jen Stark

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