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October 25, 2013 Chapters 21 & 22. Week 8: 20 th cent. & between world wars. Agenda:. Today: Early 20 th cent. & between World Wars 11/8 – Modernity; Jeopardy Review 11/15 – Warhol Museum 11/22 – Warhol Presentations 11/29 – NO CLASS 12/6 – Review for final – finish paintings!
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October 25, 2013 Chapters 21 & 22 Week 8: 20th cent. & between world wars
Agenda: • Today: Early 20th cent. & between World Wars • 11/8 – Modernity; Jeopardy Review • 11/15 – Warhol Museum • 11/22 – Warhol Presentations • 11/29 – NO CLASS • 12/6 – Review for final – finish paintings! • 12/13 – Final Exam!
Early 20th Century • Many things were changing/developing: • Wright Brother’s • Freud’s dream interpretation • Industrial Revolution: • Creating thousands of new jobs • Vaccinations and public health lead to longer life and lower birth rates
FAUVISM 1905-1907 “les fauves” – the wild beast • Henri Matisse – leader of Fauvism • Vigorous brushwork and large flat color • Expanded on innovations of Post-Impressionism
EXPRESSIONISM • Emphasizes inner feelings and emotions over objective depiction • German Expressionists • The Bridge – founded by Ernest Ludwig • The Blue Rider – lead by Wassily Kandinsky
“Self-Portrait with an Amber Necklace” by Paula Modersohn-Becker; 1906
CUBISM • Emphasized pictorial composition over personal expression • Reconstruction of objects based on geometric abstraction • Analyzed subjects from various angles, then painted the abstract references
CUBISM con’t. • Mental concepts of seeing something from all sides • Aimed to show objects as the mind sees, rather than eye perceives them • Synthetic cubism – modifying cubism with color, texture & patterned surfaces and use of cutout shapes
“Les Demoiselles d’Avignon” or “Young Ladies of Avignon” by Picasso; 1907
“Gardanne” by Cezanne; 1885-1886 “Houses at l’Estaque” by Braque; 1908
ConstantinBruncusi “Sleep” in 1908 “Sleeping Muse I” in 1909-11 “Newborn I” in 1915
“Unique Forms of Continuity in Space” by Umbero Boccioni; 1913
Chapter 22 BETWEEN World WARs
DADA • Began in protest against the horrors of WWI • Began in Zurich as a rallying cry • They rejected most moral, social, political, and aesthetic values • Aimed to shock viewers into seeing absurdity of Western World’s social and political situation
SURREALISM • Launched in Paris • Group of writers and painters gathered to protest direction of European culture • Focused on unconscious mind, dreams, fantasies, and hallucinations • Drew on psychology of Sigmund Freud
CONSTRUCTIVISM • Revolutionary movement that began in Russia • Seeking to create art that is relevant to modern life in form, materials, and content • Rejected traditional view of space, as did Cubists
De Stijl – “The Style” “Composition (Blue, Red, and Yellow)” by PietMondrain; 1922
POLITICAL PROTEST • Many artists in the interwar period focused their art on political life • Protesting against Fascism and dictatorship was a dominant theme
“Guernica” by Picasso • Influenced by “experimental” mass bombing of the defenseless down of Guernica • General Franco had allowed Hitler to use his war machinery on the down as a demo of military power • Bombing leveled 15 square block city center