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RUS 101: INTEGRATED STUDIO. PERSPECTIVE. ‘The Monalisa ’ (Leonardo da Vinci, 1505) . HAPPY . DISGUSTED. FEARFUL . ‘The Monalisa ’ (Leonardo da Vinci, 1505) . ‘ EMOTION RECOGNITION SOFTWARE’. HAPPY 83% . DISGUSTED 6%. FEARFUL 6% . ANGRY 2%.
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RUS 101: INTEGRATED STUDIO PERSPECTIVE
HAPPY DISGUSTED FEARFUL ‘The Monalisa’ (Leonardo da Vinci, 1505)
‘EMOTION RECOGNITION SOFTWARE’ HAPPY 83% DISGUSTED 6% FEARFUL 6% ANGRY 2% ‘analysed by a University of Amsterdam computer using “emotion recognition” software’ (BBC) ‘The Monalisa’ (Leonardo da Vinci, 1505)
PERSPECTIVE as an IMAGE.. Presented by: mazran ismail (Courtesy of HBP, USM)
Non-perspective 3D drawings: Axonometric Projections ‘Trimetric’ ‘Dimetric’ ‘Isometric’ (Source: www.en.wikipedia.org)
PERSPECTIVE(from Latin ‘perspicere’-to see through) “is an image as it is perceived by the eye”
Perspectives in different styles / approaches Black & White Linear Perspective ‘Interior of St. Paul Outside the Walls, Rome’ (Giovannni Battista Piranesi, 1740)
Perspectives in different styles / approaches (Light) Coloured Paintings (e.g. impressionism) ‘Boulevard Montmarte’ (Camille Pissarro, 1897) ‘The Boardwalk at Trouville’ (Monet, 1870)
Perspectives in different styles / approaches (Bright) Coloured Paintings (e.g. expressionism) ‘Old Town II’ (Wassily Kadinsky, 1902) ‘Starry Night’ (Vincent Van Gogh, 1888)
Perspectives in different styles / approaches with ‘Unconsious Mind’ (e.g. surrealism) ‘‘The Persistence of Memory’ (Salvador Dali, 1931) ‘Fauna in La Mancha’ (Vladimir Kush, 2007)
Perspectives in different styles / approaches Loose Sketch ‘Six’s Bridge’ (Rembrandt, 1645)
Architect’s Perspective: Santiago Calatrava Turning Torso, Sweden (2005) Initial idea in sketch Completed building
Architect’s Perspective: Jørn Utzon Sydney Opera House (1959-1973) Initial idea in sketch Completed building
Architect’s Perspective: Frank O. Gehry Walt Disney Concert Hall, New York (2003) Initial idea in sketch Completed building
Architect’s Perspective: Frank O. Gehry Guggenheim Museum, Bilbao (1997) Initial idea in sketch Completed building
Architect’s Perspective: Norman Foster Swiss Re Headquarters, London (2004) Initial idea in sketch Completed building
‘PERSPECTIVE’ as A MEDIUM OF COMMUNICATION in BUILT ENVIRONMENT “to provide the people an image of how the building/project will look when it is built”
Examples : HBP Students’ perspectives Exterior Perspectives
Examples : HBP Students’ perspectives Exterior Perspectives
Examples : HBP Students’ perspectives Interior Perspective Sectional Perspective
TYPES OF PERSPECTIVE DRAWING: • One-point Perspective • Two-point Perspective • Three-point Perspective • Multi-point Perspective(will not be covered in this lesson) ..depends on the number of vanishing points in the perspective drawing
‘ONE-POINT PERSPECTIVE’ -used when one face of the object is perpendicular to the line of our sight/view (Courtesy of HBP, USM)
‘ONE-POINT PERSPECTIVE’ Vanishing point -used when one face of the object is perpendicular to the line of our sight/view (Courtesy of HBP, USM)
‘TWO-POINT PERSPECTIVE’ -used when an object is not directly facing us (Courtesy of HBP, USM)
‘TWO-POINT PERSPECTIVE’ -used when an object is not directly facing us (Courtesy of HBP, USM)
‘THREE-POINT PERSPECTIVE’ -used for buildings seen from above (bird’s eye view) or below (worm’s eye view) (Courtesy of HBP, USM)
‘THREE-POINT PERSPECTIVE’ -used for buildings seen from above (bird’s eye view) or below (worm’s eye view) (Courtesy of HBP, USM)
RUS 101: INTEGRATED STUDIO ESQUISSE DRAWING A 1-POINT PERSPECTIVE
fundamental: • STATION POINT • HORIZON LINE • VANISHING POINT • CONVERGENCE LINES • GROUND LEVEL • PICTURE PLANE
fundamental: • STATION POINT • HORIZON LINE • VANISHING POINT • CONVERGENCE LINES • GROUND LEVEL • PICTURE PLANE the position from which the observer views the object
fundamental: • STATION POINT • HORIZON LINE • VANISHING POINT • CONVERGENCE LINES • GROUND LEVEL • PICTURE PLANE the line at which the earth and sky appear to meet / eyelevel of the viewer
fundamental: • STATION POINT • HORIZON LINE • VANISHING POINT • CONVERGENCE LINES • GROUND LEVEL • PICTURE PLANE the point(s) at which the horizon line and the convergence lines meet and diminish
fundamental: • STATION POINT • HORIZON LINE • VANISHING POINT • CONVERGENCE LINES • GROUND LEVEL • PICTURE PLANE the diagonal lines that can be drawn along receding parallel lines (or rows of objects) to the vanishing point
fundamental: • STATION POINT • HORIZON LINE • VANISHING POINT • CONVERGENCE LINES • GROUND LEVEL • PICTURE PLANE the horizontal plane representing the ground on which the viewer is standing
fundamental: • STATION POINT • HORIZON LINE • VANISHING POINT • CONVERGENCE LINES • GROUND LEVEL • PICTURE PLANE the imaginary line that slices through the cone of vision. Used to record the ‘image' that the eye sees.
fundamental: • STATION POINT • HORIZON LINE • VANISHING POINT • CONVERGENCE LINES • GROUND LEVEL • PICTURE PLANE
Drawing A 1-Point Perspective: the simplest way SITUATION: Without any plan&elevation
1) Draw the Horizon Line Horizon Line
2) Decide the Vanishing Point (VP) VP Horizon Line
3) Draw the Horizontal and Vertical Lines to form the front of the object VP Horizon Line Vertical Horizontal
4) Draw in Convergence Lines VP Horizon Line
5) Draw again the Horizontal and Vertical lines VP Horizon Line
6) Complete the form of the objects VP Horizon Line
7) Finishing up (erase the convergence lines) VP Horizon Line
YOUR TASK (right now) is to look, see & sketch… ‘A ONE-POINT PERSPECTIVE’ (without plan & elevation)
OF WHATEVER you think that it could be drawn in ‘1-POINT PERSPECTIVE’,