PERSPECTIVE

1. RUS 101: INTEGRATED STUDIO PERSPECTIVE

2. ‘The Monalisa’ (Leonardo da Vinci, 1505)

3. HAPPY DISGUSTED FEARFUL ‘The Monalisa’ (Leonardo da Vinci, 1505)

4. ‘EMOTION RECOGNITION SOFTWARE’ HAPPY 83% DISGUSTED 6% FEARFUL 6% ANGRY 2% ‘analysed by a University of Amsterdam computer using “emotion recognition” software’ (BBC) ‘The Monalisa’ (Leonardo da Vinci, 1505)

5. PERSPECTIVE as an IMAGE.. Presented by: mazran ismail (Courtesy of HBP, USM)

6. “not all 3D drawings are PERSPECTIVES”

7. Non-perspective 3D drawings: Axonometric Projections ‘Trimetric’ ‘Dimetric’ ‘Isometric’ (Source: www.en.wikipedia.org)

8. PERSPECTIVE(from Latin ‘perspicere’-to see through) “is an image as it is perceived by the eye”

9. Perspectives in different styles / approaches Black & White Linear Perspective ‘Interior of St. Paul Outside the Walls, Rome’ (Giovannni Battista Piranesi, 1740)

10. Perspectives in different styles / approaches (Light) Coloured Paintings (e.g. impressionism) ‘Boulevard Montmarte’ (Camille Pissarro, 1897) ‘The Boardwalk at Trouville’ (Monet, 1870)

11. Perspectives in different styles / approaches (Bright) Coloured Paintings (e.g. expressionism) ‘Old Town II’ (Wassily Kadinsky, 1902) ‘Starry Night’ (Vincent Van Gogh, 1888)

12. Perspectives in different styles / approaches with ‘Unconsious Mind’ (e.g. surrealism) ‘‘The Persistence of Memory’ (Salvador Dali, 1931) ‘Fauna in La Mancha’ (Vladimir Kush, 2007)

13. Perspectives in different styles / approaches Loose Sketch ‘Six’s Bridge’ (Rembrandt, 1645)

14. Architect’s Perspective: Santiago Calatrava Turning Torso, Sweden (2005) Initial idea in sketch Completed building

15. Architect’s Perspective: Jørn Utzon Sydney Opera House (1959-1973) Initial idea in sketch Completed building

16. Architect’s Perspective: Frank O. Gehry Walt Disney Concert Hall, New York (2003) Initial idea in sketch Completed building

17. Architect’s Perspective: Frank O. Gehry Guggenheim Museum, Bilbao (1997) Initial idea in sketch Completed building

18. Architect’s Perspective: Norman Foster Swiss Re Headquarters, London (2004) Initial idea in sketch Completed building

19. ‘PERSPECTIVE’ as A MEDIUM OF COMMUNICATION in BUILT ENVIRONMENT “to provide the people an image of how the building/project will look when it is built”

20. Examples : HBP Students’ perspectives Exterior Perspectives

21. Examples : HBP Students’ perspectives Exterior Perspectives

22. Examples : HBP Students’ perspectives Interior Perspective Sectional Perspective

23. TYPES OF PERSPECTIVE DRAWING: • One-point Perspective • Two-point Perspective • Three-point Perspective • Multi-point Perspective(will not be covered in this lesson) ..depends on the number of vanishing points in the perspective drawing

24. ‘ONE-POINT PERSPECTIVE’ -used when one face of the object is perpendicular to the line of our sight/view (Courtesy of HBP, USM)

25. ‘ONE-POINT PERSPECTIVE’ Vanishing point -used when one face of the object is perpendicular to the line of our sight/view (Courtesy of HBP, USM)

26. ‘TWO-POINT PERSPECTIVE’ -used when an object is not directly facing us (Courtesy of HBP, USM)

27. ‘TWO-POINT PERSPECTIVE’ -used when an object is not directly facing us (Courtesy of HBP, USM)

28. ‘THREE-POINT PERSPECTIVE’ -used for buildings seen from above (bird’s eye view) or below (worm’s eye view) (Courtesy of HBP, USM)

29. ‘THREE-POINT PERSPECTIVE’ -used for buildings seen from above (bird’s eye view) or below (worm’s eye view) (Courtesy of HBP, USM)

30. RUS 101: INTEGRATED STUDIO ESQUISSE DRAWING A 1-POINT PERSPECTIVE

31. How to DRAW A 1-POINT PERSPECTIVE?

32. fundamental: • STATION POINT • HORIZON LINE • VANISHING POINT • CONVERGENCE LINES • GROUND LEVEL • PICTURE PLANE

33. fundamental: • STATION POINT • HORIZON LINE • VANISHING POINT • CONVERGENCE LINES • GROUND LEVEL • PICTURE PLANE the position from which the observer views the object

34. fundamental: • STATION POINT • HORIZON LINE • VANISHING POINT • CONVERGENCE LINES • GROUND LEVEL • PICTURE PLANE the line at which the earth and sky appear to meet / eyelevel of the viewer

35. fundamental: • STATION POINT • HORIZON LINE • VANISHING POINT • CONVERGENCE LINES • GROUND LEVEL • PICTURE PLANE the point(s) at which the horizon line and the convergence lines meet and diminish

36. fundamental: • STATION POINT • HORIZON LINE • VANISHING POINT • CONVERGENCE LINES • GROUND LEVEL • PICTURE PLANE the diagonal lines that can be drawn along receding parallel lines (or rows of objects) to the vanishing point

37. fundamental: • STATION POINT • HORIZON LINE • VANISHING POINT • CONVERGENCE LINES • GROUND LEVEL • PICTURE PLANE the horizontal plane representing the ground on which the viewer is standing

38. fundamental: • STATION POINT • HORIZON LINE • VANISHING POINT • CONVERGENCE LINES • GROUND LEVEL • PICTURE PLANE the imaginary line that slices through the cone of vision. Used to record the ‘image' that the eye sees.

39. fundamental: • STATION POINT • HORIZON LINE • VANISHING POINT • CONVERGENCE LINES • GROUND LEVEL • PICTURE PLANE

40. Drawing A 1-Point Perspective: the simplest way SITUATION: Without any plan&elevation

41. 1) Draw the Horizon Line Horizon Line

42. 2) Decide the Vanishing Point (VP) VP Horizon Line

43. 3) Draw the Horizontal and Vertical Lines to form the front of the object VP Horizon Line Vertical Horizontal

44. 4) Draw in Convergence Lines VP Horizon Line

45. 5) Draw again the Horizontal and Vertical lines VP Horizon Line

46. 6) Complete the form of the objects VP Horizon Line

47. 7) Finishing up (erase the convergence lines) VP Horizon Line

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49. YOUR TASK (right now) is to look, see & sketch… ‘A ONE-POINT PERSPECTIVE’ (without plan & elevation)

50. OF WHATEVER you think that it could be drawn in ‘1-POINT PERSPECTIVE’,