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The editing process is a reductive Art. Some editors see it as “Cutting out the bad bits” Enhancing by removing, leaving only what informs, advances, communicates Some editors use the analogy of a sculpture. How do you decide what is essential?.
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The editingprocess is a reductive Art • Some editors see it as “Cutting out the bad bits” • Enhancing by removing, leaving only what informs, advances, communicates • Some editors use the analogy of a sculpture.
How do you decide what is essential? • Keep audience in mind-what you want them to feel/learn/accomplish • Keep form in mind- how you present the information will help guide the” sculpture” • Each shot should have a purpose- ask yourself, what is the reason for this cut?”
Motivations to cut • Technical • Aesthetic
Technical motivation • Bad Audio • Bad Video-drop out-levels-color balance • Bad Videography • Bad Takes- talent.
Aesthetic • This is where you get to express yourself!!!!!!!!!!!!! • Follow Action- ( like eye-trace in Blink) go where the story is going. • Better Angle- choose the angle that shows the audience what you want them to see. • Shot order- visually tell the story-how you put the visuals together • Pacing-Rhythm. • Point Of View-Cut to show another point of view • Create a Mood- Emotional • Visual Variety- Dangerous!- Necessary but dangerous. • Create Emphasis- • Dialogue- Cutting to dialogue- using split edits.
Split Edit • An edit where the audio and video have different IN points
Audio Advance • Audio Precedes the video
Audio Delay • Audio comes after the video it is called an audio delay
Split Edits • Smooth out transitions • Make edits less visible • Create a more natural feel to dialogue and narrated video • Also called an Lcut
Split Edits • Can be used as a transition within a scene or from scene to scene
Movement-zooms,tilts,pans,dollys • “Never” cut in the middle of a camera movement
Cutting on movement • Zooms,pans, dollys, and tilts work well together if: • Same direction • Same speed
Zoom • Using the lens the camera seems to push into the subject.
Tilt • Up and Down
Pan • Righ to Left
Dolly • Lens stays the same. Camera physically moves forward ( on wheels)
Camera Movement • Zooms, pans, dollys, and tilts cut well together if they have the same speed and direction. • This technique can be used to connect disparate visuals. • Variations of motion and direction work well to illustrate contrast.
Static Camera to Moving Subject • Versatile • Subject moves through screen and in the next shot the camera mimics the movement
Static Camera to Static Subject • Fast pace editing • Movement created by editing • A static shot doest not cut well to a shot with a static subject/moving camera