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KAIDAH-KAIDAH VISUAL

KAIDAH-KAIDAH VISUAL. MATERI KULIAH APPLIED MEDIA AESTHETICS OLEH: BUDIYANTO SELASA, 21 OKTOBER 2008. BACKGROUND. MUNCULNYA BANYAK PROGRAM TELEVISI YANG MELIBATKAN ORANG BERBICARA DIKEMBANGKAN UKURAN SHOT STANDAR YANG TERPUSAT PADA TUBUH MANUSIA.

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KAIDAH-KAIDAH VISUAL

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  1. KAIDAH-KAIDAH VISUAL MATERI KULIAH APPLIED MEDIA AESTHETICS OLEH: BUDIYANTO SELASA, 21 OKTOBER 2008

  2. BACKGROUND • MUNCULNYA BANYAK PROGRAM TELEVISI YANG MELIBATKAN ORANG BERBICARA DIKEMBANGKAN UKURAN SHOT STANDAR YANG TERPUSAT PADA TUBUH MANUSIA. • UMUMNYA UKURAN SHOT INI MENGHINDARI PEMOTONGAN TUBUH SEPERTI LEHER, SIKU DAN LUTUT.

  3. SHOT SIZE • SHOT SIZES

  4. BODY SHOT SIZES

  5. SHOT SIZES MACAMNYA • CU ( close-up): frame memotong pangkal leher. • MCU ( medium close-up): frame memotong dada sebatas ujung atas saku kemeja. • MS ( medium shot): frame memotong pinggang • LS ( long shot): mencakup keseluruhan figur seseorang. • WS ( wide shot): mencakup figur pada suatu permukaan datar yang luas. • OS ( over the shoulder): melihat subyek dari bahu belakang orang lain. • 2s, 3s, dst……( two shot, three shot,…ect) :mengidentifikasi jumlah orang dalam frame yang tersusun dalam konfigurasi berbeda.

  6. ANGLE • MACAMNYA a. high angle b. normal angle c. low angle d. canted angle

  7. PERSPEKTIF • NO PERSPECTIVE

  8. PERSPECTIVE • ONE POINT PERSPECTIVE

  9. PERSPEKTIF • TWO POINT PERSPECTIVE

  10. PERSPEKTIF • PERPECTIVE

  11. PERSPEKTIF • PERSPECTIVE-LOW ANGLE

  12. PERSPEKTIF • PERSPECTIVE

  13. SHOT NORMAL • INERVIEW • CU ( CLOSE UP): BAGIAN BAWAH FRAME MEMOTONG PANGKAL LEHER. • MCU ( MEDIUM CLOSE UP): BAGIAN BAWAH FRAME MEMOTONG DADA SEBATAS UJUNG ATAS AKU KEMEJA. • MS ( MEDIUM SHOT): BAGAIAN BAWAH FRAME MEMOTONG PINGGANG.

  14. SHOT INTERVIEW • ONE CAMERA

  15. SHOT INTERVIEW • TWO OR THREE CAMERA ( OTS)

  16. CAMERA POSITION • INTERVIEW-EXIS LINE

  17. DON’T-CROSS THE LINE • CROSS THE LINE

  18. RULES OF THIRDS • EYE LEVEL

  19. HEADROOM • HEADROOM

  20. SCREEN DIRECTION • NOOSEROOM-LOOKING ROOM

  21. TEKNIK WAWANCARA • HAL-HAL PENTING DALAM WAWANCARA • BACKGROUND • POSISI SUMBER LIGHTING • SHOT SIZE • SCREEN DIRECTION • KOMPOSISI • KONTROVERSI • FIRST QUESTIONS • CODE ETICS

  22. END • SAMPAI KETEMU MINGGU DEPAN

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