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Rewriting History: Creating Space Women’s Representations within the

Rewriting History: Creating Space Women’s Representations within the Dialectics of Modernism, Postmodernism, And Black Feminism. Ambivalence and Parody. Faith Ringgold, Flag is Bleeding, oil on canvas, 1967. Faith Ringgold, Flag for the Moon: Die N…, o/c 1969.

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Rewriting History: Creating Space Women’s Representations within the

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  1. Rewriting History: Creating Space Women’s Representations within the Dialectics of Modernism, Postmodernism, And Black Feminism Ambivalence and Parody

  2. Faith Ringgold, Flag is Bleeding, oil on canvas, 1967

  3. Faith Ringgold, Flag for the Moon: Die N…, o/c 1969

  4. Faith Ringgold, Picasso’s Studio, Acrylic on canvas And tie-dye fabric, 1991

  5. Faith Ringgold, Tar Beach, Acrylic on canvas, printed and tie dye fabric, 1988

  6. Elizabeth Catlett, Homage to My Young Black Sister, Wood, 1968

  7. Elizabeth Catlett, Homage to Black Women Poets, Wood, 1984

  8. Elizabeth Catlett, Sharecropper, Color linocut, 1970

  9. Barbara Chase Riboud, Monument to Malcom X Mixed media, 1969

  10. Sokari Douglas-Camp Gelede, Steel, 1993

  11. Sokari Douglas-Camp “Otobo masquerade”, Wood, steel, palm stem brooms, h.6’

  12. Howardena Pindell, Autobiography: Water/Ancestor/Middle Passage/Family Ghost Acrylic, gouache, tempera on board, 1988

  13. Freida High, Returning to the Door of No Return, Acrylic and sand on canvas, 1995

  14. Freida High, “Aunt Jemima’s Matrilineage”, pastel on paper, 1983

  15. Betye Saar: a) The Liberation of Aunt Jemima—mixed media, 1972 b) Double Duty—I’s Back Wid a vengeance, mixed media, 1997

  16. Emma Amos, Tight Rope, Acrylic on canvas, 1994

  17. Lorna Simpson, Guarded Conditions, photography + Texts, 1989

  18. Renee Cox, Yo Mama Last Supper, C-Print Photograph, 1996

  19. Renee Cox, Olympia’s Boyz, Digital c-print, 2001

  20. Kara Walker, No mere words can Adequately reflect the Remorse this Negress.. Cut out paper and adhesive on painted wall, 10x65 feet, 1999.

  21. Kara Walker, The End of Uncle Tom, and the Grand Allegorical Tableau of Eva in Heaven, cut out paper and adhesive on wall, 1995

  22. Maria Magdalena Campos-Pons, The Truth Doesn’t Kill You (La verdad no mata) Wood, marble and glass 1991

  23. Alison Saar, Afro-Di(e)ty, Wood, coral, mixed media 2000

  24. Bernie Searle, Snow White, “Still” Photo-reproduction from Her “Two Projector video installation” 2001

  25. Bernie Searle, Color Me Series….Installation, 1998-9

  26. Bernie Searle, Untitled form The Color Me Series, Photo-reproduction, 1998-9

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