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We begin the Visual Elements… Line

We begin the Visual Elements… Line. Chapter 4 - Sayre 7 th edition. Line Actual vs. Implied. All the visual elements can be divided into actual vs. implied (i.e. actual mass vs. implied mass)

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We begin the Visual Elements… Line

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  1. We begin the Visual Elements…Line Chapter 4 - Sayre 7th edition

  2. LineActual vs. Implied • All the visual elements can be divided into actual vs. implied (i.e. actual mass vs. implied mass) • Usually the division is based on whether the work of art is 2D or 3D (i.e. sculpture has actual mass, painting has implied mass)

  3. Actual lines (Fig 265/10-21 ) Detail

  4. Outline and Contour LinesFigs 64/4-5 and 65/4-6

  5. Implied lines • Suggested visual connections (i.e. sight lines) Fig 67/4-8

  6. Fig 171/7-13 Does this exemplify actual or implied lines? HINT: It’s a trick!

  7. Lines have a variety of characteristics… (four volunteers) • Active • Passive • Aggressive • Sensual

  8. And anything around and between… Your book, for example, shows us two opposing types of line.

  9. Expressive Line (fig 73/4-14)

  10. Analytical or Classical Line (fig 77/4-18)

  11. Part of the expressive quality of line has to do with Directional Force or Line Orientation

  12. Line and Directional Force Directional forces – “paths” for the eye to follow, provided by actual or implied lines, in a work of art Directional forces - reveal a work of art’s underlying energy or basic visual structure

  13. Vertical line - feeling of stability • Horizontal line – feeling of rest • Diagonal line – feeling of motion

  14. Vertical (fig 601/18-17 )

  15. Not so much (Fig 182/8-2) Frank Gehry

  16. Horizontal (fig 650/19-37 )

  17. Diagonal (fig 87/4-27)

  18. What is the directional force?

  19. Image # 1 (Fig 360/12-50)

  20. Image # 2 (Fig 265/10-21)

  21. Image # 3 (Fig 695/21-10)

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