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後現代主義藝術 III :具象繪畫的再出現、抽 象繪畫的終結遊戲 後現代藝術 IV :作者之死─對原創性的批判 後現代藝術 V :擬像 ( 錄像與電腦藝術 ). 劉瑞琪. 本著作除另有註明外,採取 創用 CC 「姓名標示-非商業性-相同方式分享」台灣 2.5 版 授權釋出. Jason Schmidt, Chuck Close (1998) vs. Chuck Close, Self-Portrait (1968 ). Chuck Close, Phil (1969) vs. Chuck Close, Linda (1975).
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後現代主義藝術III:具象繪畫的再出現、抽 象繪畫的終結遊戲後現代藝術IV:作者之死─對原創性的批判後現代藝術V:擬像 (錄像與電腦藝術) 劉瑞琪 本著作除另有註明外,採取創用CC「姓名標示-非商業性-相同方式分享」台灣2.5版授權釋出
Jason Schmidt, Chuck Close (1998) vs. Chuck Close, Self-Portrait (1968 )
A.R. Penck, Crossing (1963) vs. A. R. Penck, Standart (1938)
Georg Baselitz, The Forest Upside-down (1969) vs. Georg Baselitz, Orangenesser II (Orange Eater II) (1981)
Anselm Kiefer, Shulamite (1983) vs. Wilhelm Kreis, (in the Hall) Funeral Hall for the Great German Soldiers (1939)
Peter Halley, Rectangular Prison with Smokestack (1987) vs. Peter Halley, Glowing and Burn-out Cells with Conduit (1982)
Peter Halley, CUSeeMe (1995) vs. Peter Halley, Asynchronous Terminal (1989)
Auguste Rodin, The Three Shades (1880) vs. Auguste Rodin, The Gates of Hell (1880-1919)
Jeff Koons, New Shelton Wet/ Dry Triple Decker (1981) vs. Jeff Koons, New Hoover Deluxe Shampoo Polishers (1981-6)
Allan McCollum, Plaster Surrogates (1985-90) vs. Allan McCollum, Plaster Surrogates (1982-83)
Allan McCollum, Five Perfect Vehicles (1985-87) vs. Allan McCollum, Fifty Perfect Vehicles (1985-89)
Allan McCollum, Five Perfect Vehicles, 1985-87iMac: 5 colors Allan McCollum, Plaster Surrogates, 1982-90
Sherrie Levine, Untitled (After Edward Weston) (1980) vs. Sherrie Levine, After Walker Evans (1981)