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This article explores the themes of moral ambiguity, cooperation, and the potential for evil in William Hogarth's engravings and Jean Jacques Rousseau's Social Contract. It also examines the influence of familiar settings, manners, and decorum in Hogarth's works, as well as the progression of civilization and educational beliefs in Rousseau's writings.
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Interdependence • Living closely • Cooperation • Obligation to Society • Manners & Decorum
Hogarth’s Prints • Inspiration: popular plays and novels • Themes: moral ambiguity, potential for evil, love of public spectacle • Familiar places for setting
Marriage a la Mode • Plot - Earl of Squanderfield marries off son to alderman • “Written on the walls” • Moral narrative
Jean Jacques Rousseau (1712-1778) • “God makes all things good, man meddles with them and they become evil” • Social Contract, 1762 • Humans should be forced to be free
Progression of Civilization • Fierce society – looking only for a mate creates bonding • Slowly group together for protection • Civilization • Led to love of society and that society’s esteem • Once man was introduced to other men, that leads to problems
Educational Beliefs • Emile • 5 Stages • Infancy • The Age of Nature (2-5) • Pre-Adolescence (12-15) • Puberty (15-20) • Adulthood (20-25)
Key Thoughts • Children are different from adults. • “The man should be strong and active; the woman should be weak and passive” • “Hands-on experience is essential”
David Hume (1711-1776) • Statements of perception • Statements of logical relationships • Everything else is belief not knowledge
Immanuel Kant (1724-1804) • All knowledge begins with experience • Limit of reason regarding morality • Keystone for human conduct