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Dutch Republic

Dutch Republic. REMBRANDT VAN RIJN, The Company of Captain Frans Banning Cocq (Night Watch), 1642. Fig. 10-22. Dutch Republic. Example : Civic group portrait Challenge to represent participants Selection of spontaneous moment Light as dramatic device

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Dutch Republic

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  1. Dutch Republic REMBRANDT VAN RIJN, The Company of Captain Frans Banning Cocq (Night Watch), 1642. Fig. 10-22.

  2. Dutch Republic Example: • Civic group portrait • Challenge to represent participants • Selection of spontaneous moment • Light as dramatic device • Subtle modulation of light and shadow for mood REMBRANDT VAN RIJN, The Company of Captain Frans Banning Cocq (Night Watch), 1642. Fig. 10-22.

  3. Dutch Republic JACOB VAN RUISDAEL, View of Haarlem from the Dunes at Overveen, ca. 1670. Fig. 10-25.

  4. Dutch Republic Example: Landscape popular theme Nationalistic pride in country Symbols: church towers, windmills, farmland reclaimed from sea Realistic sky and land JACOB VAN RUISDAEL, View of Haarlem from the Dunes at Overveen, ca. 1670. Fig. 10-25.

  5. Dutch Republic JAN VERMEER, Allegory of the Art of Painting, 1670–1675. Fig. 10-26.

  6. Dutch Republic Example: • Genre scenes of everyday life popular • Careful rendering of homes, things • Study of light, reflections • Camera obscura • Allegory of the art of painting • Symbols of creative act: model, costume, laurel JAN VERMEER, Allegory of the Art of Painting, 1670–1675. Fig. 10-26.

  7. Dutch Republic PIETER CLAESZ, Vanitas Still Life, 1630s. Fig. 10-27.

  8. Dutch Republic Example: • Still life • Displays wealth and abundance • Optical renderings of objects • References to passage of time, human mortality • Vanitas with memento mori PIETER CLAESZ, Vanitas Still Life, 1630s. Fig. 10-27.

  9. France Dates and Places: 1600 to 1700 France People: Absolute monarch Court at Versailles French Royal Academy CLAUDE LORRAIN, Landscape with Cattle and Peasants, 1629. Fig. 10-30.

  10. France Themes: Portraits Mythology Life of Christ, Virgin Mary, and Saints Forms: Classicizing, dynamic, and realist approaches co-exist JULES HARDOUIN­MANSART and CHARLES LE BRUN, Galerie des Glaces (Hall of Mirrors), ca. 1680. Fig. 10-33.

  11. France NICOLAS POUSSIN, Et in Arcadia Ego, ca. 1655. Fig. 10-29.

  12. France Example: Classical approach Worked in Rome Studied ancient sculpture Seeks rational order, ideal beauty Followers of classical approach called Poussinistes NICOLAS POUSSIN, Et in Arcadia Ego, ca. 1655. Fig. 10-29.

  13. France HYACINTHE RIGAUD, Louis XIV, 1701. Fig. 10-31.

  14. France Example: Theatrical approach to absolute monarch Propaganda and surrogate for king Attributes: robe, scepter, curtain, crown, fleur de lis Royal Academy serves king’s artistic needs HYACINTHE RIGAUD, Louis XIV, 1701. Fig. 10-31.

  15. France JULES HARDOUIN-MANSART, CHARLES LE BRUN, and ANDRÉ LE NÔTRE, Versailles Palace, begun 1669. Fig. 10-32.

  16. France Example: • Louis XIV moves court • Proper setting for absolute monarch • Axes meet at bedroom • Outfitted by Royal Academy • Symbolic vocabulary of mythology, Apollo • Controlled nature: fountains, grounds JULES HARDOUIN-MANSART, CHARLES LE BRUN, and ANDRÉ LE NÔTRE, Versailles Palace, begun 1669. Fig. 10-32.

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