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to Gaze implies more than to look at it signifies a psychological relationship. Several key forms of gaze can be identified the spectator’s gaze : the gaze of the viewer at an image of a person
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to Gaze implies more than to look at it signifies a psychological relationship
Several key forms of gaze can be identified • the spectator’s gaze: the gaze of the viewer at an image of a person • the intra-diegetic gaze: a gaze of one depicted person at another (or at an animal or an object) within the world of the image • the direct address to the viewer: the gaze of a person depicted in the image looking ‘out of the frame’ as if at the viewer • the look of the camera - the way that the camera itself appears to look at the people; less metaphorically, the gaze of the photographer.
In addition, there are several other types of gaze which are less often mentioned: • the gaze of a bystander - outside the world of the image, the gaze of another individual watching the spectator in the act of viewing. Have you ever watched someone in a museum? • the averted gaze - a depicted person’s noticeable avoidance of the gaze of another, or of the camera lens or artist (and thus of the viewer) - this may involve looking up, looking down or looking away • the gaze of an audience within the text - certain kinds of popular televisual texts (such as game shows) often include shots of an audience watching those performing in the 'text within a text';
It is useful to note how directly a depicted person gazes out of the frame. A number of authors have explored this issue in relation to advertisements in particular. • In his study of women’s magazine advertisements, Trevor Millum distinguished between these forms of attention: • attention directed towards other people; • attention directed to an object; • attention directed to oneself; • attention directed to the reader/camera; • attention directed into middle distance, as in a state of reverie; • direction or object of attention not discernible.
Julia Margaret Cameron Charles Darwin
Alice Boughton Untitled
Unidentified A Chat
Palmer Instructor with Three Graduates with Diplomas and Geraniums
Southworth and Hawes Woman in Floral Bonnet and Zig-Zag Dress
E.J. Bellocq Storyville Portrait
Bill Brandt Portrait of a Young Girl
Harry Callahan Eleanor
Nadar Self-Portrait
Irving Penn Tennessee Williams
Richard Avedon Marilyn Monroe
You are not simply taking a portrait. You are studying the way you look at your subject, the way your subject is looking back, and the relationship you are establishing between the viewer and that subject.