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to Gaze implies more than to look at it signifies a psychological relationship

to Gaze implies more than to look at it signifies a psychological relationship. Several key forms of gaze can be identified the spectator’s gaze : the gaze of the viewer at an image of a person

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to Gaze implies more than to look at it signifies a psychological relationship

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  1. to Gaze implies more than to look at it signifies a psychological relationship

  2. Several key forms of gaze can be identified • the spectator’s gaze: the gaze of the viewer at an image of a person • the intra-diegetic gaze: a gaze of one depicted person at another (or at an animal or an object) within the world of the image • the direct address to the viewer: the gaze of a person depicted in the image looking ‘out of the frame’ as if at the viewer • the look of the camera - the way that the camera itself appears to look at the people; less metaphorically, the gaze of the photographer.

  3. In addition, there are several other types of gaze which are less often mentioned: • the gaze of a bystander - outside the world of the image, the gaze of another individual watching the spectator in the act of viewing. Have you ever watched someone in a museum? • the averted gaze - a depicted person’s noticeable avoidance of the gaze of another, or of the camera lens or artist (and thus of the viewer) - this may involve looking up, looking down or looking away • the gaze of an audience within the text - certain kinds of popular televisual texts (such as game shows) often include shots of an audience watching those performing in the 'text within a text';

  4. It is useful to note how directly a depicted person gazes out of the frame. A number of authors have explored this issue in relation to advertisements in particular. • In his study of women’s magazine advertisements, Trevor Millum distinguished between these forms of attention: • attention directed towards other people; • attention directed to an object; • attention directed to oneself; • attention directed to the reader/camera; • attention directed into middle distance, as in a state of reverie; • direction or object of attention not discernible.

  5. Julia Margaret Cameron Charles Darwin

  6. For I am the Queen Mother

  7. Sadness

  8. Mountain Nymph

  9. The Echo

  10. Alice Boughton Untitled

  11. Unidentified

  12. Unidentified A Chat

  13. Palmer Instructor with Three Graduates with Diplomas and Geraniums

  14. Southworth and Hawes Woman in Floral Bonnet and Zig-Zag Dress

  15. A Conversation Piece

  16. E.J. Bellocq Storyville Portrait

  17. Storyville Portrait

  18. Bill Brandt Portrait of a Young Girl

  19. Harry Callahan Eleanor

  20. Eleanor

  21. Emmet Gowin Ruth and Edith

  22. Nancy

  23. Edith

  24. Edith

  25. Nadar Self-Portrait

  26. Woman in profile

  27. Sarah Bernhardt

  28. The Photographer’s Wife

  29. Irving Penn Tennessee Williams

  30. Three Rissani Women

  31. Richard Avedon Marilyn Monroe

  32. Beekeeper

  33. Uranium Miner

  34. You are not simply taking a portrait. You are studying the way you look at your subject, the way your subject is looking back, and the relationship you are establishing between the viewer and that subject.

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