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Michelangelo 1475-1564

Michelangelo 1475-1564. Michelangelo, Doni Tondo , c. 1507. Raphael, Alba Madonna, c. 1511. Oil on panel, transferred to canvas, tondo . 37 ¼ in. in diameter. Michelangelo, Sistine Chapel ceiling, 1508-1512. The Last Judgment, detail.

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Michelangelo 1475-1564

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  1. Michelangelo 1475-1564

  2. Michelangelo, DoniTondo,c. 1507.

  3. Raphael, Alba Madonna, c. 1511. Oil on panel, transferred to canvas, tondo. 37 ¼ in. in diameter.

  4. Michelangelo, Sistine Chapel ceiling, 1508-1512.

  5. The Last Judgment, detail The Last Judgment, 1534-41

  6. “It is enough for us to understand that this extraordinary man chose always to refuse to paint anything save the human body in its most beautifully proportioned and perfect forms and in the greatest variety of attitudes, and thereby to express the wide range of the soul’s emotions and joys. He was content to prove himself in the field in which he was superior to all his fellow craftsmen, painting his nudes in the grand manner and displaying his great understanding of the problems of design. Thus he has demonstrated how painting can achieve facility in its chief province: namely, the reproduction of the human form.”—Giorgio Vasari

  7. The Last Judgment, detail Michelangelo, The Fall of Phaethon,1533 Black chalk

  8. Judith and Holofernes

  9. David and Goliath

  10. The Prophet Isaiah

  11. Delphic Sibyl

  12. The Temptation and Expulsion of Adam and Eve

  13. The Deluge

  14. The Mocking of Noah

  15. Libyan Sibyl

  16. Study for Libyan Sibyl

  17. Libyan Sibyl, during restoration

  18. Michelangelo, Sonnet with Caricature

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