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The Italian Renaissance (late 1300’s-1600’s ). Cultural center of Europe was Italy. Renaissance means rebirth This theme reflected renewed interest in classics and Greece and Roman culture Advancement in all Arts, Science and learning during this time Theatre gets closer to our modern styles
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The Italian Renaissance (late 1300’s-1600’s ) • Cultural center of Europe was Italy. • Renaissance means rebirth • This theme reflected renewed interest in classics and Greece and Roman culture • Advancement in all Arts, Science and learning during this time • Theatre gets closer to our modern styles • Merchants sponsored artists • System of financial support was called patronage • Topics/subjects from the religious to human activity rather than divine. • A change in philosophy called humanism.
Neo-classical ideas • Renaissance rules of writing drama influences drama for 200 years. • Rules came from a mistaken understanding of what was meant by the rediscovered Greek & Roman playwrights (Aristotle). • Renaissance writers created plays and copied stories and themes from the Greek and Roman plays.
Ideals • Renaissance philosophy demanded all characters be recognizable and verifiable from real life • Unity of time- action doesn’t over more than 24 hours of time. • Unity of place- all action takes place in one location. • Unity of action- plot has only one story line (no subplots). • This wasn’t followed universally. • Particularly and England and Spain, these ideals were ignored
What changed in terms of space and styles of theatre decoration? • 1. Visual arts had developed during this time, having a major effect on imagery in theatre • Illusion of depth /perspective painting. • Images were no longer flat. • Architecture, theatre building changed.
What was the Proscenium arch? • Proscenium arches or picture from opening around stage spaces • Oldest example is in Vicenza, Italy the Teatro Olimpico completed 3000 people stage has a permanent facade • Doorways build into wall w/deep hallways giving the illusion of deep interior spaces.
Permanent facades were not flexible. • Painted scenery could be shifted to reveal new sets behind them. • Painted flats/canvases allowed for changes. • 1st theater with proscenium stage was Teatro Farnes in Parma, Italy in 1618.
What changed when scenery was introduced? • Multiple settings behind each other for changes requires that there be more backstage space for scenery and equipment. • Renaissance stages therefore became deeper.
What were the standard settings in these plays? • Reuse of standard styles of settings • Tragedies (streets of a wealthy neighborhood) • Comedies (streets of a lower-class homes) • Pastoral plays (Countryside cottages)
What is Commedia dell’arte? • A form of improvisational theater that began during the renaissance in Italy. • Troupes of actors toured the Italian country-sides. • They performed using stock characters. • Dialogue was improvised following a basic outline but there were no script.
Who were the stock characters in Commedia dell’arte? • Vecchio A category of aged, male characters members of this group are • Pantalone, • Il Dottore • Il Capitano. • The word means "old one" or simply "old" in Italian. • They are overwhelmingly the antagonists, opposing the love of the innamorati
Who were the stock characters in Commedia dell’arte? • Arlechinno /Harlequin was a clever prankster
Who were the stock characters in Commedia dell’arte? • Punchinello- was a malicious servant • Innamorato, Inamorata- Young hero/heroine • Fontesca-serving maid • Zanni- male servants • All were identified by their half masks or costumes
Why is this important? • The stock characters of the Commedia dell’arte influenced the archetypes used in other works. Taking Shakespeare’s Romeo and Juliet as an example: • Nurse = Fontesca • Friar Lawrence, Balthazar, Benvolio = Zanni • Mercutio= Archelinno/Harlequin • Tybalt=Punchinello • Capulet= Vecchio- Il Pantalone • Paris= Vecchio- Il Capitano • Romeo and Juliet= Inamorati
What was different in Elizabethan England? • Powerful English Ruler Queen Elizabeth I • ruled for 45 years, 1558-1603 • language literature and the arts flourished due to her patronage. • Acting changed from amateur to professional status • Playwrights now had a stable experienced group of performers for whom to write more detailed and complicated plays. • Permanent theatres built • All classes could attend performances
What was theatre-going like in Elizabethan England? • Previous policy by church viewed all non-religious theater as evil. • City of London didn’t permit theatre buildings to be erected inside the city limits. • Theatres were then built across the Thames river in a suburb of London. • Audience members had to take ferry boats to see the play.
Flags flying atop a theatre • Signified a play was being given • White= comedy • Black= tragedy • Red= History
The Globe theatre where Shakespeare’s plays were presented • Elizabethan theatres were circular or octagonal structures of three stories with an open roof • Theater had a raised platform stage that would be surrounded by the audience on the three sides
It was closer to a contemporary thrust stage than a proscenium arch stage being used in Italy at the same time
How did plays in England differ from those in Italy at the same time in history? • No neoclassical ideals. • Dramas structured in a series of scenes. • Changes of location. • This influence the use of stage space in England . • Little use of scenery, • entrances and exits signified a change of scene • A piece of furniture suggested the location of the next scent • Characters would speak/announce the change of location called “spoken décor”
Noted feature of Elizabethan Drama • Use of poetry • Iambic pentameter • 2 syllables to each beat, 5 beats per line • 10 syllables in each line, stress put on the 2nd beat • Sonnets • William Shakespeare considered the most important playwright during this period
William Shakespeare • “All the world’s a stage and all the men and women meerely players; they have their exits and entrances; and one man in his time plays many parts, his acts being seven ages” -As you like it -William Shakespeare • Awareness of human nature
Biographical Info • b. 1564 in Stratford upon Avon to John and Mary Shakespeare 1 of 8 children. • Married in 1582 to Anne Hathaway • Has three children Susanna, Hamnet and Judith. • 1587- left to go to London, • member of Lord Chamberlain's men • became a shareholder in the company • helped finance/part owner of the Globe theatre • 1613 Globe theatre burned down • Shakespeare retired to Stratford • d. 1616 @ age 52
What was Shakespeare’s body of work? • 154 sonnets • 38 plays ? • (There is some argument here) • Tragedies/Comedies/Histories/Fantasies • Apocrypha • Lost Plays
List of plays Comedies • All's Well That Ends Well • As You Like It • The Comedy of Errors • Love's Labour's Lost • Measure for Measure • The Merchant of Venice • The Merry Wives of Windsor • A Midsummer Night's Dream • Much Ado About Nothing • Pericles, Prince of Tyre • The Taming of the Shrew • The Tempest • Twelfth Night • The Two Gentlemen of Verona • The Two Noble Kinsmen • The Winter's Tale Tragedies • Romeo and Juliet • Coriolanus • Titus Andronicus • Timon of Athens • Julius Caesar • Macbeth • Hamlet • Troilus and Cressida • King Lear • Othello • Antony and Cleopatra • Cymbeline • Histories • King John,Richard II, • Henry IV part 1,Henry IV part 2, • Henry V,Henry VI part 1,Henry VI part 2,Henry VI part 3, • Richard III,Henry VIII
Other Works attributed to Shakespeare Poems • Shakespeare's Sonnets • Venus and Adonis • The Rape of Lucrece • The Passionate Pilgrim • The Phoenix and the Turtle • A Lover's Complaint Lost plays • Love's Labour's Won • Cardenio† Apocrypha • Arden of Faversham • The Birth of Merlin • Locrine • The London Prodigal • The Puritan • The Second Maiden's Tragedy • Sir John Oldcastle • Thomas Lord Cromwell • A Yorkshire Tragedy • Edward III • Sir Thomas More
Controversies • Did Shakespeare really write all the plays attributed to him ? • It is accepted that he had borrowed stories from source history but made them his own/ • Shakespeare wrote sonnets to both a man, his patron, and a mysterious Dark Lady. • Was Shakespeare’s identity lifted by a group of collaborators? Or one person who’s status would be jeopardized?