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The Dan Flavin Art Institute, Bridgehampton, New York. 1963–83.

The Dan Flavin Art Institute, Bridgehampton, New York. 1963–83. Dan Flavin. untitled (in honor of Harold Joachim) 3 . 1977. 8 ft. square across a corner. Leonardo da Vinci. Madonna of the Rocks . c. 1495–1508. 75 x 47 in.

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The Dan Flavin Art Institute, Bridgehampton, New York. 1963–83.

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  1. The Dan Flavin Art Institute, Bridgehampton, New York. 1963–83.

  2. Dan Flavin. untitled (in honor of Harold Joachim) 3. 1977. 8 ft. square across a corner.

  3. Leonardo da Vinci. Madonna of the Rocks. c. 1495–1508. 75 x 47 in.

  4. J. M. W. Turner. Rain, Steam, and Speed—The Great Western Railway. 1844. 33 3/4 x 48 in.

  5. Paul Colin. Figure of a Woman. c. 1930. 24 x 18 1/2 in.

  6. A sphere represented by means of modeling.

  7. Artemisia Gentileschi. Judith and Maidservant with the Head of Holofernes. c. 1625. 72 1/2 x 55 3/4 in.

  8. Mary Cassatt. The Coiffure. c. 1891. approx. 5 7/8 x 4 3/8 in.

  9. Michelangelo. Head of a Satyr. c. 1620–30. 10 5/8 x 7 7/8 in.

  10. The gray scale.

  11. Blue in a range of values.

  12. Pat Steir. Pink Chrysanthemum. 1984. 3 panels, 60 x 60 inches each.

  13. Pat Steir. Night Chrysanthemum. 1984. 3 panels, 60 x 60 inches each.

  14. Nikolai Buglaj. “Race”ing Sideways. 1991. 3 in. high x 40 in. wide.

  15. Ben Jones. Black Face and Arm Unit. 1971. life-size plaster casts.

  16. Okun Akpan Abuje. Nigerian funerary shrine cloth. commissioned in the late 1970s. 135 3/4 x 60 1/4 in.

  17. Cai Guo-Qiang. Transient Rainbow. 2002. 300 x 600 feet, duration 15 seconds.

  18. Colors separated by a prism.

  19. Conventional color wheel.

  20. Color mixtures of reflected pigment—subtractive process.

  21. Color mixtures of refracted light—additive process.

  22. Michelangelo. The Creation of Adam (unrestored). 1508–12. ceiling of the Sistine Chapel.

  23. Michelangelo. The Creation of Adam (restored). 1508–12. ceiling of the Sistine Chapel.

  24. Jane Hammond. Fallen. 2004–ongoing. 11 x 154 x 89 in.

  25. Romare Bearden. She-ba. 1970. 48 x 35 7/8 in.

  26. Cara Grande feather mask. c. 1960. Height 31 in.

  27. Gerhard Richter. 256 Farben (256 Colors). 1974–84. 7 ft. 3 in. x 14 ft. 5 in.

  28. Georges Seurat. La Chahut (The Can-Can). 1889–90. 66 1/8 x 55 1/2 in.

  29. Georges Seurat. Detail of La Chahut (The Can-Can). 1889–90.

  30. Robert Delaunay. Premier Disque. 1912. 53 in. diameter.

  31. Sonia Delaunay. Prismes Electriques. 1914. 98 3/8 x 98 3/8 in.

  32. Charles Searles. Filàs for Sale (from the Nigerian Impressions series). 1972. 72 x 50 in.

  33. Pierre Bonnard. The Terrace at Vernon. c. 1920–39. 57 11/16 x 76 1/2 in.

  34. Chuck Close. Detail of Stanley (large version). 1980–81. 108 x 84 in.

  35. Chuck Close. Stanley (large version). 1980–81. 104 x 84 in.

  36. Vincent van Gogh. The Night Café. 1888. 28 1/2 x 36 1/4 in.

  37. Wassily Kandinsky. Black Lines (Schwarze Linien). December 1913. 51 x 51 5/8 in.

  38. Tony Cragg. Detail of Newton’s Tones/New Stones. 1982. 197 x 72 in.

  39. Tony Cragg. Newton’s Tones/New Stones. 1982. 197 x 72 in.

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