110 likes | 357 Views
The Impala case at the CFI. Association of Competition Economists Conference 2007 Simon Pilsbury, Managing Consultant. November 30th 2007. Overview. institutional structure and its effects on the merger process Commission’s approach to the initial filing
E N D
The Impala case at the CFI Association of Competition Economists Conference 2007 Simon Pilsbury, Managing Consultant November 30th 2007
Overview • institutional structure and its effects on the merger process • Commission’s approach to the initial filing • method of consideration of joint dominance
Institutional structure (I) • both initial procedure and re-filing carried out under the 1989 merger regulation • test for whether a merger should be blocked was as follows • ‘creates or strengthens a dominant position as a result of which effective competition would be significantly impeded’ • 2004 merger regulation changes the emphasis • ‘concentration which would significantly impede effective competition … in particular as a result of the creation or strengthening of a dominant position’ • dominant position no longer necessary after 2004
Institutional structure (II) • may have impacted the way in which the Commission examined the merger • needed to find unilateral or joint dominance in the market • not sufficient to find ‘pockets’ of market power within a wider economic market • places great emphasis on market definition
Commission’s approach to the initial filing (I) • no precise product market definition from the Commission in its decision • stated that it did not make a difference to the outcome • some discussion of whether genres might be individual product markets • precedent suggesting that this might be the case • however, market shares only presented on a ‘whole market’ basis • detailed data by genre not set out
Commission’s approach to the initial filing (II) • focus very clearly on market shares • other aspects of potential unilateral dominance left almost untouched • Italy: combined market shares were 30–35% • really no possible market where they approach 40%? • difficult to determine unilateral dominance on the basis of market shares when you haven’t defined a market! • joint dominance considered in much more detail
Consideration of joint dominance (I) • as before, markets not clearly defined • makes it more difficult to determine whether there is joint dominance • basic approach in line with the Airtours criteria • transparency • ability to deter • tight oligopoly • looked for evidence of past price coordination • useful for strengthening a dominant position, but creating one? • spent considerable time analysing price trends in each Member State
Consideration of joint dominance (II) • content of albums heterogeneous • stated as reducing ability to collude • many features favouring transparency found • retail monitoring • low number of majors • publication of weekly hit charts • but discounts found to be sufficient to undermine transparency • retaliation could be via exclusion from joint ventures • compilation albums important • but no evidence that it had occurred in the past
CFI’s comments on joint dominance • CFI found that the market was sufficiently transparent for monitoring to take place • low discounts, which showed little variation • also stated that transparency could be directly inferred from pricing • if prices were closely aligned and above competitive levels • and if no other reasonable explanation • stable pricing despite a fall in demand at a price level seen as high might be evidence of tacit coordination • but wouldn't prices be stable after a demand shock in a competitive market? • lack of punishment episodes not crucial • ‘the most effective deterrent is that which has not been used’
Final thoughts • features of the market consistent with a reasonably competitive market pre-merger • differentiated products (albums) each have some small amount of market power • no ability to precisely replicate albums • substitutability largely within genres • costs of production are similar across all majors • demand shocks strongly correlated • no tacit collusion • some albums ‘flop’ and do not cover their costs of production • would expect to see similar pricing across albums • demand shocks would not cause large price cuts • price levels likely to be seen as high to cover costs of flops
www.oxera.com Contact: Simon Pilsbury +32 (0) 2 535 7890 simon.pilsbury@oxera.com