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Digital Precision

Digital Precision. by. Digital Precision. by. Users…. SADiE Users love. … tools for the competitive edge. No rendering No latency 100% non-destructive editing Real-time cross-fades (from 0 seconds to 24 hours). … instantly!. Instant graphic re-draws when changing levels

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Digital Precision

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  1. Digital Precision by

  2. Digital Precision by

  3. Users…

  4. SADiE Users love...

  5. … tools for the competitive edge • No rendering • No latency • 100% non-destructive editing • Real-time cross-fades (from 0 seconds to 24 hours) … instantly! • Instant graphic re-draws when changing levels • Waveforms drawn whilst recording • Editing whilst recording...

  6. … advanced audio editing Click-free and sample-accurate editing … Powerful Playlist Editor - unique to SADiE! - unique to SADiE! - unique to SADiE! - unique to SADiE! SADiE Trim Editor Region Editor Speech Editor

  7. … playlist editing Edit speech, music and effects in situ on the SADiE Playlist… …and adjust levels instantly

  8. … trim editing See the audio on the hard-disc for precise editing… …and cross-fading

  9. Comments from the BBC… • “In speech radio, SADiE is second to none… • …the most important qualities in a sound operator are: • to have a ‘good pair of ears’. • to have the ability to quickly understand a producer's requirements and translate them into audible results. • to have a personable and professional attitude. • to be able to operate SADiE fast and well and to completely understand how it works. • More and more BBC producers do their own editing these days and it is mixing that freelance SADiE operators are needed for.  However a producer who can edit faster than a freelance SADiE operator won't be too impressed!”  • Jonathan Glover..Technical Manager..BBC Radio Current Affairs..

  10. Comments from Radio New Zealand… “SADiE is the primary system used by Radio New Zealand for multi-track recordings and we have recently completed an upgrade with the addition of two H128s, adding to the mix of PCM2s, PCM4s, PCM8s, H64s. SADiE is well-liked by our staff, even those who have used other systems, and it made sense to build on the strong foundation of skills built up over the last seven years.” Richard Hulse..Technical Project Manager..Radio New Zealand..

  11. … speech editing ‘Strip silence’ whilst automatically splicing together audio to shorten a voice-over… …without rendering or time-modulation

  12. … region editing Cut, copy and insert ‘regions’ with the click of a mouse… …and perform automated tasks like ‘ducking’ for voice-overs

  13. … comprehensive ‘slip’ Slip left and/or right to keep all your previous/subsequent edits intact… …perfect for voice-over and radio editing

  14. … the competitive edge Advanced Mixing • Real-time Mixing • Internal real-time processing: EQ, dynamics, aux sends… • Full automation: faders, pan/balance, EQ, dynamics, VST, etc • VST™ & DirectX™ support • Automation with faders or mouse manipulation • Automation ‘snapshots’

  15. … advanced mixing Fully customisable mixer for real-time operation…

  16. … advanced plug-ins • Dedicated 3rd Party Plugins, including: • CEDAR de-click • CEDAR de-noise • CEDAR de-thump • CEDAR de-crackle • CEDAR Re-Touch • Pow-R • Prism Sound Super-noise-shaping • Mastering Limiter • Timescrunch

  17. … unsurpassed - customer view “No word of a lie, once you have used SADiE all other editing systems just seem to be missing things. SADiE’s Trim Editor is unsurpassed; Playlist Editing in itself is a marvel compared with the editing in Nuendo, ProTools or Pyramix.” Barry Gardner, Somethin’ Else - Radio Production Company

  18. SADiE Product Range

  19. LRX2: Location Recorder

  20. LRX2: Location Recorder • SADiE LRX2: Location recording • Running on XP Laptop • 64 MADI Channels • 48 Mic Channels • ‘Mirror Recording’ to 2 x drives • Moving Faders…

  21. … best editing - customer comment “We have been producing a number of classical music projects recently that have required some very fine editing so it's a relief to have SADiE 5.6 to work with. There's no doubt that SADiE is simply the best fine editing paradigm there is”. Eric James, URM Audio

  22. Portable or desktop USB2 audio interface

  23. PCM2: Editing on the move • SADiE PCM2: Portable Editing • Running on XP/USB2 Laptop • Full SADiE 5 editing • Mic/Headphone/SPDIF/Line In/Out

  24. PCM4 & 8 : Studio production System

  25. Happy customers “I just thought I'd drop you a brief note to say how very pleased I am with the SADiE PCM2 system I bought. Since 1998, I've used Cool Edit Pro and its successors which can't hold a candle to SADiE. I now see why my BBC colleagues venerate SADiE!” Dave Kitto, BBC Local Radio Trainer

  26. H-series multi-track recording and editing

  27. Maida Vale H-series multi-track recording and editing • SADiE H-Series • From 8 to 256 inputs/outputs • Full multi-track editing • Huge DSP power

  28. Perfect for voice-over recording Hugh Ross reads Blind Willow, Sleeping Woman, by Haruki Murakami. Heavy Entertainment Studio 4, Soho - for Hodder and Staughton. 25th May 2007.

  29. … in TV post production ... “The art of Traffic Cops is to assemble a clear story from often rather chaotic source material. With these programmes the dubbing process becomes more than sweetening - it may be the first time that clarity emerges.  By cutting between or combining the audio tracks supplied by the picture editor and making precise level adjustments (sometimes including small shifts for time-alignment) a coherent and intelligible piece of audio can be produced which never existed before. SADiE is particularly good at this kind of digital surgery. The trim window is my audio scalpel. I also make intensive use of the clip-level adjustment tool and the automated EQ - literally mixing on my first pass.” Peregrine Andrews..Freelance SADiE Editor..Traffic Cops..

  30. … saves huge amounts of time ... "Having SADiE in my office at home has saved huge amounts of time. Now it is possible to run SADiE on an Intel Mac, I’ve not had to replace all my existing computer files, as I've worked in a Mac environment for the last fifteen years." Alyn Shipton, BBC Radio 3 Producer

  31. … and the converters are wonderful! “The H64 arrived Tuesday and of course we rushed to set it up!  Our ears say the converters are wonderful, our Audio Precision System say they are too.  In fact the AP showed less phase shift with the H64 converters than with the Benchmarks… they really are nice.  We are very pleased. We also put it through its paces as to DSP power and it works as advertised…” Neal Thomson, Freelance SADiE Editor

  32. Digital Precision by

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