1 / 17

If you’re standing five feet away from a ten foot wide, high-definition video display:

If you’re standing five feet away from a ten foot wide, high-definition video display:. Is it Television? Is it Imax? Or is it something else…. A Magic Window: The Emergent Aesthetics of Large-Scale Video Display Jim Bizzocchi NMC Summer Conference University of British Columbia June 2004.

kermit
Download Presentation

If you’re standing five feet away from a ten foot wide, high-definition video display:

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. If you’re standing five feet away from a ten foot wide, high-definition video display: • Is it Television? • Is it Imax? • Or is it something else…

  2. A Magic Window:The Emergent Aesthetics ofLarge-Scale Video DisplayJim BizzocchiNMC Summer ConferenceUniversity of British ColumbiaJune 2004

  3. Overview • Introduction and Assumptions • Evolution of the Video Image • Conditions of Reception • Proof of Concept Production • Future Work

  4. Introduction • Background • Critical Stance • Assumptions • Reception and Production

  5. Evolution of the Video Image • Image size is increasing • Image quality will increase • Prices will come down

  6. Majority Early Late I. & E.A. Rogers Technological Innovation Curve

  7. Implications for Content • Film-like aesthetic • Wide shot re-privileged • Close-up less critical • Editing pace can slow • Spatial montage

  8. Split Screen • A form of “narrative compression” • spatial analog to fast-cut temporal compression • Encyclopedic capability • Multi-linear and multi-layered narrative • Encourages and rewards repeated viewing

  9. Layered Transitions • Another form of “narrative compression” • Based on common video and photo production tools • Multi-layered narrative • Aesthetic of “magic realism” • Encourages and rewards repeated viewing

  10. A More Pictorial Video • Superior image: • Subtleties of form & color • Lighting • Composition • Slow motion • Visual poetics

  11. Foreground & Background • Experience: foreground or background • Cinema is foreground experience • TV is a chameleon: • foreground or background experience • Ambient Video ?

  12. Ambient Video • “Living Painting” • Highly pictorial • Slow form • Transitions and layering • Waits….

  13. Production & Next Steps • General Approach • Initial Prototype Productions • Initial Findings • Next Set of Prototypes • Future work

  14. Production & Next Steps • General Approach • Initial Prototype Productions • Initial Findings • Future work

  15. Future Work • Production • Research and Scholarship • Support • Partnerships

  16. Rock VideoCredits Director - Jim Bizzocchi D.O.P. - Glen Crawford Editor - Craig Anderl Technical Director - Luke van Dyk Visual Effects - Christopher Bizzocchi Cast - Jordan Crawford - Chandra Crawford - Lionel Shadd A Co-Production of DadaProcessing and the Banff New Media Institute

  17. Jim Bizzocchi Assistant Professor School of Interactive Arts and Technology Simon Fraser University Surrey, British Columbia, Canada jimbiz@sfu.ca www.dadaprocessing.com 604-268-7437

More Related