I D E O L O G Y 2 : MODERNIS M and ITS CRITICISM

I D E O L O G Y2 : MODERNISM and ITS CRITICISM

NEW MATERIALS Barlow W.H., St. Pancreas Train Station, 1864 MASS-PRODUCTION EXHIBITIONS, FAIRS…. MIGRATION ……. URBANIZATION Industrial Revolution 1750-1850 Paxton J., Crystal Palace, (Fair) 1851

George Childs, “Dowlais Ironworks from the South,” 1840

William Morris, page from The Sea Stones and The Fall(by John Ruskin), 1853

William Morris, fabric designs(left) and font design (right), 1890s

William Morris, furniture designs, 1870s

Philip Webb and William Morris, “The Red House,” Bexleyheath, ENGLAND, 1859

William Morris, “St Peter,” stained glass design, 1870s

Frank Lloyd Wright, stained glass window designs, 1902

MODERNIS M An ideology that emerged around 1900 that reacted to the political, social, economical and technologicalchanges in Europe • Modernists prefer: • - simplicity over ornamentation • - abstraction over realism • - “honesty” over “dishonesty” • - the future over the past

M.H. Baillie Scott, “Side Table,” 1901 Charles Rennie Mackintosh, “Chair for Hill House,” 1904

Gruppo Toscano Architects, “Stazione S. Maria Novella,” Florence, ITALY, 1932

Giacomo Balla, “Abstract Speed + Sound,” 1914

Filippo Marinetti,poem from Les mots en liberté, 1919

Antonio Sant’Elia, designs for “La Città Nuova” (The New City), 1914

front cover of the first issue of DE STYL magazine,1917 Georges Vantongerloo, “Interrelation of Volumes,” 1919

Piet Mondrian,“Color Planes in Oval,” 1913-1914 Piet Mondrian,“Tableau 2,” 1922

Theo Van Doesburg, Sophie Taeuber & Jean Arp, “Cafe l’Aubette,”Strasbourg, FRANCE, 1926-28,

SCHRÖDER HOUSE, Gerrit Rietveld, Utrecht 1924

Walter Gropius, “The Bauhaus,” Dessau, GERMANY, 1925-26

Joost Schmidt,“Bauhaus Exhibition Poster,” 1923

Marianne Barndt, “Tea Pot,” 1924 Carl G. Jucker,“Lamp,” 1924 Marcel Breuer,“Nesting Tables,” 1925

Eileen Gray, furniture designs, 1920s

Bruno Taut Faculty of languages, history and geography, Ankara University, 1937 Glass Pavillion, Berlin 1914 Izmir Fuar Pavillion, 1939

Q U E S T I O N I N G M O D E R N I S M

Richard Hamilton, “Just What is that Makes Today’s Homes so Different?,” 1956

Andy Warhol, “Marylin diptych,” 1962

Roy Lichtenstein,“Little Big Painting,” 1965 Roy Lichtenstein,“M-Maybe,” 1963

Cindy Sherman, “Untitled Film Stills,” 1970s

Alexander Rodchenko,“Books on Every Subject,” 1925(poster against censorship of bookstores) Shepard Fairey, “Saks Fifth Avenue Advertisement,” 2009

Tadashi Kawamata,“The Shortcut Chairs,” 1998

“The Assembly Line” Damien Ortega, “Cosmic Thing,” 2002

Viktor and Rolf,“Evening Wear,” 2007 Viktor and Rolf,“Uniforms for Utrecht Centraal Museum Guards,” 2001

Charles W. Moore,“Piazza d’Italia,” New Orleans, USA, 1976-79 Philip Johnson, “AT&T Building,” New York, 1978-84

Zaha Hadid, "Nordpark Cablecar Metro Station," Innsbruck, SWITZERLAND, 2007

I D E O L O G Y 2 : MODERNIS M and ITS CRITICISM