1 / 9

“ Honour ” and “ Gainda ”

“ Honour ” and “ Gainda ”. Caste System and Gender. Lahore. Shahjahanpur. “ Honour ” : A Woman in Purdah. The story in 6 parts: Shamshad engaged in Shahjahanjur ; pp.67 After family disasters, she keeps waiting. pp.68-69

lajos
Download Presentation

“ Honour ” and “ Gainda ”

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. “Honour” and “Gainda” Caste System and Gender

  2. Lahore Shahjahanpur

  3. “Honour”: A Woman in Purdah • The story in 6 parts: • Shamshad engaged in Shahjahanjur; pp.67 • After family disasters, she keeps waiting. pp.68-69 • After Aziz’s marriage, she dresses herself as a white widow. pp. 70- • Aziz’s death in 1947. p. 71 • She leaves home in strict purdah dress to work in New Dehli; p.72 17 yrs • Going to Bombay. P 74

  4. “Honour”: A Woman in Purdah • Does Shamshad adjust well to the changes in her life? p. 68, p. 70, p. 71 • What constrains Shamshad? What kind of “purdah” is she in? p. 67, p. 73 • What is the importance of the bathroom? pp. 67, 69 • Where does she end up working? pp. 74-

  5. “Gainda”: Plot • The story in 5 parts: • The narrator playing with Gainda before her marriage; • Playing with her after G is a widow; • Distanced from G, who gets closer to Bhaiyya • Turning point. The narrator begins to attract Mewa. • The narrator gets rebellious. After leaving for two years, she came back to find G with a baby.

  6. “Gainda”: Characters • How do we tell the class difference between the narrator and Gainda? p. 46 • How is the narrator related to Gainda, who is actually a servant? p. 43, 46. • Why do they like to play “Dulhan-Dulhan” and the make-up ritual? pp. 42; 44. • What role does Bhaiyya play in distancing G and the narrator? pp. 43; 45

  7. “Gainda”: Gainda’s and the narrator’s growth • How does Gainda adjust to the changes in her life? • Does the narrator grow up? Does she remain envious of Gainda at the end?

  8. “Gainda”: Gainda’s and the narrator’s growth • Gainda – active in life, playing the roles. • The narrator’s growing process: • Feeling envious; p. 43 • Still treated a kid; p. 44; • In need of attention. 48 • Revengeful; p. 46; 49 • Different from the social judgment of Gainda, she accepts Gainda’s baby.

More Related