This is a filmstrip of a normal 35mm negative, nothing special to it

1. This is a filmstrip of a normal 35mm negative, nothing special to it

2. This is the size of the maximum camera aperture, called FULL APERTURE or FULL GATE, and - since it was the common format used in the beginning of cinema - SILENT.

3. This is the size of the maximum camera aperture, called FULL APERTURE or FULL GATE, and - since it was the common format used in the beginning of cinema - SILENT. This format uses the whole negative area available: 4 perforations in height and a width to fit exactly between the two rows of perforation holes. The aspect ratio of this format is 1:1.33

4. Most film productions use a smaller portion of the negative though.

5. Most film productions use a smaller portion of the negative though. Popular formats include: 1:1.85 the American widescreen format

6. Most film productions use a smaller portion of the negative though. Popular formats include: 1:1.85 the American widescreen format and 1:1.78 For HDTV (16:9)

7. And here is what happens when “rolling camera”:

8. And here is what happens when “rolling camera”:

9. And here is what happens when “rolling camera”:

10. And here is what happens when “rolling camera”:

11. And here is what happens when “rolling camera”:

12. And here is what happens when “rolling camera”:

13. And here is what happens when “rolling camera”:

14. And here is what happens when “rolling camera”:

15. And here is what happens when “rolling camera”:

16. And here is what happens when “rolling camera”: The movement advances the film 4 perforations for each new frame.

17. A closer look at the exposed negative:

18. A closer look at the exposed negative: Since many formats don´t use the full height of the negative, there remains a gap between the frames: unused, good for nothing - and 1 perforation in height!

19. A closer look at the exposed negative: Since many formats don´t use the full height of the negative, there remains a gap between the frames: unused, good for nothing - and 1 perforation in height! This is a precious rawstock, adding to the overall lenght of the negative, which needs to be purchased, developed and printed.

20. A closer look at the exposed negative: As a remainder: Developing and printing are normally billed by lenght. Since many formats don´t use the full height of the negative, there remains a gap between the frames: unused, good for nothing - and 1 perforation in height! This is a precious rawstock, adding to the overall lenght of the negative, which needs to be purchased, developed and printed.

21. So wouldn´t it make sense to stop wasting negative space, and get rid of the useless gap between the frames?

22. So wouldn´t it make sense to stop wasting negative space, and get rid of the useless gap between the frames?

23. So wouldn´t it make sense to stop wasting negative space, and get rid of the useless gap between the frames?

24. So wouldn´t it make sense to stop wasting negative space, and get rid of the useless gap between the frames?

25. That´s exactly what 3 perforation does:

26. That´s exactly what 3 perforation does:

27. That´s exactly what 3 perforation does:

28. That´s exactly what 3 perforation does:

29. That´s exactly what 3 perforation does:

30. That´s exactly what 3 perforation does:

31. That´s exactly what 3 perforation does:

32. For each new frame the 3 perforation movement advances the film only 3 perforations. This way the unused space between frames is eliminated. That´s exactly what 3 perforation does: