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Explore the stunning works of Jim Sanborn, from the Covert Obsolescence series to the iconic Kryptos sculpture. Witness the fusion of copper, bronze, and granite in his mysterious installations.
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Jim Sanborn November 14, 1945-Present
A Comma, A 2004. University of Houston. Copper, black granite. 6'x26'x80'
Covert Obsolescence: The Code Room. 1993. Washington, DC. Copper, petrified tree. 18'x20'x50'
Covert Obsolescence, The Listening Post 1993. Corcoran Museum of Art, Washington, DC. Pulped C.I.A. documents, copper screen, 35mm film projection of lava falls. 18'x20'x30'
Invisible Forces, 1985. Washington, DC. Lodestone, compasses, sandstone. 10'x30'x5'
Kryptos 1989. Central Intelligence Agency; Langley, Virginia Granite, quartz, lodestone, copper. 12'x20'x10'
Lux 2001. Fort Myers, Florida. Bronze, pinpoint light source.
North By Northwest 1981. New York. Lodestone, compasses, sandstone, and light.
Radiance 2008. Department of Energy, Coast, and Environment, Louisiana State University. Bronze, pin point light source. Projection cylinders: 8' high x 5' diameter
Thunderhead Horizon 1985. Corcoran Museum of Art, Washington, DC Sandstone, lodestone, shadow. 12'x24'x4'
Paleos 1994. MIT Department of Microbiology, Cambridge, MA Materials: Mixed materials with large format floor projection
Antipodes 1997. Hirshhorn Museum, Washington, DC. Copper, petrified tree 11'x6'x3'
Coriolis 1985-1992. The Phillips Collection, Washington, DC Sandstone, museum specimens, whirlpool and light
Deceit Filter 1992. Etched copper, russian text. 12"x14"x3"
Light Filter 1992. Aluminum, etched copper, text, shadow
Archeotranscription Detail. 1992. Etched copper, KGB documents