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The Rise of Instrumental Music. Period of rapid development of instruments and virtuosic instrumental techniquesOrgan: Bach and HandelViolin: Corelli and TartiniHarpsichord: Scarlatti and CouperinComposers begin to write more idiomaticallyOrchestration considered for the first time. Baroque Instruments.
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1. Unit VIII: Instrumental Music of the Baroque Chapter 25
The Baroque Sonata and Concerto
3. Baroque Instruments Strings
Finest instruments the world has seen constructed by Stradivarius, Guarneri and Amati
Strings made of gut rather than steel - softer, but more penetrating sound
Bows convex rather than concave
sound board shallower
4. Woodwinds Used for color, solo work
Wooden transverse flute, recorder, oboe and bassoon common
5. Brass Trumpet a favored solo instrument-still valveless
Horns used often as complement to woodwinds-also natural horn
6. Keyboard Provide harmonies in continuous setting
Used as solo instruments
Organ-distinct sound, colors differentiate stops and highlight contrapuntal voices
7. Keyboard Harpsichord
Strings plucked by quills
Tones do not sustain, therefore ornamentation abounds
Double keyboard provide subtleties of sonority and dynamics
8. Keyboard Clavichord
A favorite home instrument
Strings struck by metal tangents
Sound sustains, as long as key is depressed
Both clavichord and harpsichord replaced by piano by the end of the 18th Century
9. Sonata Types Chamber sonata usually a group of stylized dances
Church sonata which is more serious in tone and more contrapuntal in texture.
Trio Sonata- written for two violins and continuo therefore name is misleading as it refers to the parts and not to the # of players for which it is written.
Solo sonata- written for unaccompanied instruments; notable composers are Domenico Scarlatti and J.S. Bach
10. Concerto types Orchestral form for soloist(s) contrasted against the full orchestra
Typically 3 movements-Allegro (fast), Adagio (slow), Allegro (fast)
Solo concerto-violin most common in the Baroque
11. Concerto types Concerto grosso-small group of soloists (concertino) Vs. full orchestra (ripieno or tutti)
Bach’s six Brandenburg concertos, written for Margrave of Brandenburg, are of the concerto grosso type
12. Antonio Vivaldi 1678-1741
Known as the “Red Priest” in reference to his hair
13. Antonio Vivaldi Maestro di concerti at the Conservatorio del’Ospedale della Pieta, one of four orphanages for girls in Venice
His orchestra made up entirely of girls form the school was known throught Europe for their precision and virtuosity
Died poor in Vienna
14. Vivaldi’s Music Rapid scale passages
Extended arpeggios
Repeated notes
Contrasting registers
15. Vivaldi’s Music The Four Seasons
Group of 4 violin concertos
Each concerto accompanied by a poem, presumably by Vivaldi, describing a particular season
Each line of the poem is graphically described within the music
Such a close association to literary depiction make this music programmatic
16. Vivaldi’s Music La Primavera (The Spring)
The least graphic, most atmospheric of the four concertos
5 part string division with continuo
Poem and music evoke bird song, the gentle murmur of streams, and a storm
The orchestra unifies the work with a ritornello which alternates with solo passages
See pp. 150 - 151 for Listening Guide 15, (CD 1/62-67)