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Welcome to Writing for the Web

Welcome to Writing for the Web. Login to http://www2.le.ac.uk/training/writing See Film awards and prizes What can be done with this page? There is no one right answer. Don’t be afraid to change things. Housekeeping. Who are You?. Your name? Where do you work?

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Welcome to Writing for the Web

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  1. Welcome to Writing for the Web Login to http://www2.le.ac.uk/training/writing See Film awards and prizes What can be done with this page? There is no one right answer. Don’t be afraid to change things.

  2. Housekeeping

  3. Who are You? Your name? Where do you work? Experience of writing for the web? Expectations?

  4. Division of Corporate Affairs and PlanningIT Services Writing for the webMike SimpsonSenior Web Communications OfficerTeri BrowettIT Training Specialist www.le.ac.uk

  5. Writing for the Web: Overview Print vs online Structure Writing style Consistency

  6. The great ‘Writing for the Web’ information hunt Please don’t start looking yet! Task 1: Jan Zalasiewicz feature: Of Barrie and Barrande Which three places did the King of France travel to, accompanied by his grandson’s tutor, after he was deposed? Task 2: Botanic Garden website What are the three different groups of Whitebeams represented in the tree collection in the Arboretum?

  7. Web writing is fundamentally different to writing for print: • People read the web in a different way. • They are impatient, intolerant, busy. • No-one reads the web for fun. • Website visitors have a specific task which they want to complete. • They don’t care about anything else.

  8. Eye-tracking on websites

  9. Paragraphs Break long paragraphs at natural points. Two or three sentences is fine. (Just one if it’s long.) Tabloid newspaper structure, without a tabloid writing style. You don’t have to understand what the text is about.

  10. Bullet point lists • Bullet points are often frowned on in print… • …but they are a web-writer’s friend. • Any list of three or more things can be bullet-pointed. • Sometimes just two things or even one thing. • Use the bullet-point icon. • Use numbering if the order is important.

  11. Headings and subheadings • People don’t want to read the whole page – just the bit that they want. • Web users scan a page, looking for subheadings, links, highlighted text etc. • “Is this relevant to me?” • If you try to make them read the whole page – they will go elsewhere.

  12. Your writing ‘voice’ • Write in the second person • ‘You can do this’, not ‘Staff can do this’ • Write in an active voice • ‘X does Y’, not ‘Y is done by X’ • “Exams are taken by students at the end of each year.” Would be better as? • Write positive instructions • What people can/should do • Write clearly • Plain English, please!

  13. Your writing ‘voice’ - exercise

  14. J&A Jargon and abbreviations Think about your audience(s) and the language they use. Approach each page separately. Don’t be afraid to simplify – readers will simply skip over explanations they already know.

  15. J&A - exercise

  16. Plain English, please… Postgraduate taught (562 hits) Pastoral care (351 hits) Programmes of study (177 hits) Presessional course (12 hits)

  17. Cut out the waffle • Get straight to the point • Be as terse as you can without being rude • People don’t want a chat, they want answers • They want the most important answer first* • *the answer to the most important question • The inverted pyramid

  18. The inverted pyramid The important bit Some context Optional stuff Limited interest

  19. The important bit Some context Optional stuff Limited interest No-one has to get past irrelevant stuff to find useful stuff Usefulness decreases down the page.

  20. Linear vs non-linear • Print communication is linear… • …because it has to be. • But the order is often arbitrary. • Group things together by: • Similar or overlapping content • Natural groups (under a single subheading) • Amount of space required/available

  21. Emphasis - exercise

  22. Emphasis CAPITALS DO NOT EMPHASISE They actually make things harder to read because they change the shape. Italics do not emphasise either - they change the shape of the letters. Emphasise paragraphs using styles. Emphasise words and phrases using bold.

  23. Links: the essence of the web • Provide links where these are mentioned: • Organisations • Other pages or other websites • People (if there is a relevant page) • Make the word(s) into the link • Link to front page or deep link? • Where will people probably want to go? • Make your links meaningful and useful

  24. Three types of links to avoid http://www2.le.ac.uk/webcentre/plone/plan/webwriting/linksthatwork Links that take you to this page. Click here.

  25. PDFs – Portable Document Format • Information in a PDF is not ‘on the web’. • A PDF is a picture of a piece of paper. • Use only when: • Users might to want to print it out, and/or • It is important to show the layout of an existing print document. • Would you produce a leaflet from screen shots?

  26. Print version vs online version

  27. Original vs online version

  28. Structure – the bigger picture Biochemistry research page Recruiting Postgraduate Students: print vs online

  29. House style website web site 5pm 5 pm 5:00pm 5.00pm 17:00

  30. House style Rules of grammar, punctuation and spelling which are applied consistently within an organisation. Listed on the Web Centre Always proof-read from a hard copy

  31. House style - exercise

  32. Now it’s your turn

  33. The best web page has just three components: Everything a visitor wants. Nothing that a visitor doesn't want. Links to everything a visitor might want next. People read the web differently

  34. Good web writing has: Short paragraphs A non-linear – but logical - structure Subheadings Bullet points Useful links No waffle

  35. Film awards and prizes revisited What can be done with this? There is no one right answer. Don’t be afraid to change things.

  36. Thank you mjs76@le.ac.uk ext.2106 www.le.ac.uk/webcentre WebNet – monthly newsletter

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