1 / 35

MAKING 2 : PROCESS AND EDUCATION

MAKING 2 : PROCESS AND EDUCATION. PROCESS The path from first idea to end product. Michelangelo , “ Dying Slave s,” 1513-1518. Pencil Sketch of “David”. Wax Model of “David”. Peter Paul Ruben s , “ Virgin and Child Enthroned with Saints ,” 1628.

marcena-terence
Download Presentation

MAKING 2 : PROCESS AND EDUCATION

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. MAKING 2: PROCESS AND EDUCATION

  2. PROCESS The path from first idea to end product

  3. Michelangelo, “Dying Slaves,” 1513-1518

  4. Pencil Sketchof “David” Wax Model of “David”

  5. Peter Paul Rubens,“Virgin and Child Enthroned with Saints,” 1628

  6. Peter Paul Rubens, pencil, oil and crayon sketches for “Virgin and Child Enthroned with Saints”

  7. Pablo Picasso, “Guernica,” June 1937

  8. Pablo Picasso, sketches for “Guernica,” May 1937

  9. Pablo Picasso, “Guernica” canvas in progress, May 1937

  10. Jackson Pollock, “Autumn Rhythm,” 1950

  11. Jackson Pollock while painting in 1950

  12. Frank O. Gehry, “Guggenheim Museum,” Bilbao, SPAIN, 1996

  13. Frank Gehry working on a model in 2005

  14. 1. Digitization of the “physical” model 2. First “digital” (computer) model 3. Refined digital model 4. Construction drawings using digital model 1 4 2 3

  15. The construction of the Bilbao Guggenheim Museum in 1996

  16. Raquel Micola, “Mimotica Micola Handbags,” 2006

  17. Marcel Duchamp, “Fountain,” 1917

  18. Füsun Onur, untitled, 1993

  19. E D U C A T I O N

  20. Cimabue, “Maestà,” 1280-1285, Giotto, “Ognissanti Madonna,” 1306-1310

  21. Giotto,“Lamentation (The Mourning of Christ),”1304-1306 Giottino (Tommaso di Stefano ) “Pietà of San Remigio,” 1365,

  22. The Bedford Hours Manuscript Paris 1423

  23. Pierfrancesco Alberti,“The Academy of Painters,”17th century

  24. Johann Zoffany, “The Academicians of the Royal Academy,” 1771-2

  25. Raphael, “Triumph of Galatea,” 1512 William-Adolphe Bouguereau,“The Birth of Venus,” 1879

  26. Andrea Palladio,“Vicenza Basilica,” ITALY, 1549 Charles Garnier,“Paris Opera House,” 1857-1874

  27. Block printing at the Morris & Co Merton Abbey workshop, 1881

  28. William Morris, Typeface based on Nicolas Jenson’s 15th century letter forms

  29. Charles Rennie Mackintosh, Glasgow School of Art,Glasgow-Scotland, 1845 Charles Rennie Mackintosh, Chairs The Glasgow School and “The Four”

  30. Walter Gropius, “The Bauhaus School,” Dessau, GERMANY, 1925–1932

  31. Bauhaus academic program, 1937

  32. Josef Albers and students in a group critique at the Bauhaus Dessau, 1928-29. Johannes Itten, Die Begegnung, 1916

  33. Johannes Itten, Pages from “Analyses of Old Masters”, Master Francke, Adoration, 1921

  34. Women weavers at the Bauhaus, 1927 Oskar Schlemmer, Bauhaus Stairs, 1932

  35. Gunta Stölzl, “Red/Green Tapestry,” 1928 J.J. van der Linden,”Rowing Club,” Amsterdam, 1953 Heinrich Bormann,“Table Lamp,” 1932 Herbert Bayer, “Universal Typeface,” 1925 Marianna Brandt, “Tea Service,” 1927

More Related