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Drawing and Painting Daily Plans Sept 15-19, 2014

Drawing and Painting Daily Plans Sept 15-19, 2014. Ms. Livoti. Mon. 9-15-14. Aim: How can you improve composition?. Do Now: Explain which image is more engaging to you and why.

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Drawing and Painting Daily Plans Sept 15-19, 2014

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  1. Drawing and Painting Daily Plans Sept 15-19, 2014 Ms. Livoti

  2. Mon. 9-15-14 • Aim: How can you improve composition? • Do Now: Explain which image is more engaging to you and why. • Homework: Using the full space of your sketchbook paper, create a detailed drawing inspired by the work/style of Lorraine Shemesh, using pencil. Due on Friday 9-19.

  3. Which is a more engaging composition?

  4. Sketchbook Inspiration • Look at the drawings of Lorraine Shemeshunder “Objects” • Choose one object to repeat and draw in a pile using a range of values through your graphite pencils. • View the objects from tops, sides and bottoms and combine them into one image. Fully shade your objects, don’t use outlines! Due Friday!

  5. http://www.lorraineshemesh.com/art/drawings/objects01.html http://www.lorraineshemesh.com/art/drawings/food01.html

  6. FOCUS/EMPHASIS • Always know what you want the viewer to focus on/appreciate/take away from your drawing BEFORE YOU START. • Place that object in an interesting eye catching spot on your paper using the rule of thirds. • Let everything else your drawing complement your focal point. • RULE OF THIRDS: Divide your surface into thirds horizontally and vertically- place the focus of your painting one third across or one third up or down on the picture plane, or where the lines intersect. (red)

  7. Think about space! • Overlapping creates interest. When objects just touch each other it distracts the viewer. Either keep things purposely apart, or overlapped. • Placement on your paper- have something come off the page completely...have another thing come close to the edge of the paper but not touch the edge, and have something far away from the edge. • Background, middle-ground and foreground- ALWAYS! • Perspective! Are you going to draw from above, below, or a side? Think about your angles! Lead our eye into your image. Use line! • EDIT! Simplify- sometimes too many things gets confusing to the view. • Placement: RULE OF THIRDS!

  8. Variety and Interest • Incorporate at least THREE things.... Three objects...three different textures...2 things that are the same and one thing that is different... color. Scheme...etc. Are these using effective composition techniques?

  9. Tues 9-16-14 • Aim: How can you choose a composition from the still life arrangement? • Do Now: View the still life and write a reaction to what you see in your sketchbook. • Homework: Using the full space of your sketchbook paper, create a detailed drawing inspired by the work/style of Lorraine Shemesh, using pencil. Due on Friday 9-19.

  10. Wed 9-17 • Aim: How can you choose a final composition from the still life? • Do Now: Analyze a sketch from yesterday and decide if it will make a good final drawing. QUIZ TOMORROW! • Homework: Using the full space of your sketchbook paper, create a detailed drawing inspired by the work/style of Lorraine Shemesh, using pencil. Due on Friday 9-19.

  11. Thurs 9-18 • Aim: How can you translate your final sketch to final copy paper? • Do Now: Quiz! • Homework: Using the full space of your sketchbook paper, create a detailed drawing inspired by the work/style of Lorraine Shemesh, using pencil. Due TOMORROW

  12. Friday 9-19 • Aim: How can you begin to render the light and shadows of your still life objects? • Do Now: Create a small value scale in your sketchbook using the graphite pencils in your set. • Homework: Due today!

  13. Pencil techniques to consider: • Use a soft pencil and create a patch of layered graphite. • Pick up graphite with a tissue and smudge onto your paper to lightly fill an area with a value. • Use your eraser to erase away highlights. • Use a soft pencil to add back in shadows. • Use subtractive techniques to erase highlights out from the surface, instead of trying to leave white space. Kneaded erasers stamp out soft highlights. • Use an ebony pencil for very dramatic dark areas.

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