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Philippine Cinema in Nation Building

Philippine Cinema in Nation Building. 1945-1969. Victory Joe (1946) Manuel Silos. Second Golden Age. After World War II, filmmakers went back to work with studios dominating the movie scene Established reliable standards for work, encouraging professionalism and love for the medium.

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Philippine Cinema in Nation Building

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  1. Philippine Cinemain Nation Building 1945-1969

  2. Victory Joe (1946) Manuel Silos

  3. Second Golden Age After World War II, filmmakers went back to work with studios dominating the movie scene Established reliable standards for work, encouraging professionalism and love for the medium

  4. Gerardo De Leon Sisa (1951) Noli Me Tangere (1961) El Filibusterismo (1962) Ifugao (1954) The Moises Padilla Story (1961) Hanggang sa Dulo ng Daidig (1958) Huwag Mo Akong Limutin (1960)

  5. Noli Me Tangere

  6. Lamberto Avellana Anak Dalita (1956) Badjao (1957) Kundiman ng Lahi (1959) Portrait of the Artist as a Filipino (1965)

  7. Lapu-Lapu, 1955

  8. Portrait of the Artist as a Filipino

  9. Manuel Conde Juan Tamad Goes to Congress (1959) Genghis Khan (1950) Juan Tamad Goes to Society (1960) Ibong Adarna (1941) Ikaw Kasi (1955) Molave (1961)

  10. Ibong Adarna, 1941

  11. Gregorio Fernandez Malvarosa (1958) Higit sa Lahat (1955) Luksang Tagumpay (1956) Heneral Gregorio del Pilar (1949) Dagohoy (1953)

  12. Malvarosa

  13. Manuel Silos Biyaya ng Lupa (1959) Biyaya Tuloy ang Ligaya (1958) Hagdanan ng Kalayaan

  14. Chat Gallardo Geron Busabos (1964)

  15. Studio System SAMPAGUITA Women pictures& Comic adaptations LVN Comedies & Swordplay PREMIERE Action

  16. “Formula” Formula-oriented movies to ensure easy accpetability among audiences who were thought to be passive viewers seeking only to be entertained.

  17. LVN Movie Stars and Directors

  18. Breakdown of Studio System Labor problems Rise of indepentent producers

  19. Movie Stars and the “Hits”

  20. Mainstream Moviemaking Action Films -increased fight sequence Melodrama -sentimental sarswela narratives Bomba -melodrama celebrating sex urge Comedy -slapstick Horror -Christmas & Halloween Musical -competition with TV

  21. Awards Maria Clara Awards 1950-51 Manila Times Publishing Company Best Picture & Best Performances Filipino Academy of Movie Arts and Sciences FAMAS May 31, 1953 “a picture should be judged in its totality as it strikes the perceptual senses” Formal aspects of filmmaking-scriptwriting, direction, acting, cinematography, editing, sound and music

  22. Government Intervention Cinema as a source of income Heavy taxation

  23. Censorship Board of Review for Moving Pictures 1940s Premiere's Ako Raw ay Huk, 1946 Philippine Constabulary intervention Principle of prior censorship 1950s & 1960s Crime and violence

  24. Publication

  25. Criticism 1960s Philippine Studies Bienvenido Lumbera's “The Tagalog Film and the Logic of Irony”, 1962 The Manila Chronicle Nestor U. Torre, Behn Cervantes, Ishmael Bernal Pilipino Reporter Reviewer for komiks magazine Clodualdo del Mundo Jr. Early 1970s

  26. Metro Manila Film Festival 1966 Manila's Anniversary Day

  27. Resurgence of Nationalism Increase in the number of reputable venues for Filipino movies to broaden the audience for local films including college students and young professionals

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