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Chapter 11 Prelude : Music and the Enlightenment. The Enlightenment and Music. The Enlightenment “The Pursuit of Happiness” Rococo Divertimento. Opera buffa Novel Neoclassicism Classical style. Key Terms. Classical Timeline. Classical Timeline. Prelude.
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Chapter 11Prelude: Music and the Enlightenment The Enlightenment and Music
The Enlightenment “The Pursuit of Happiness” Rococo Divertimento Opera buffa Novel Neoclassicism Classical style Key Terms
Prelude • Classical style emerged in second part of the eighteenth century • Pioneers included composers in Italy & Bach’s sons working in Germany & London • Reached maturity in the hands of great composers in Vienna–Haydn & Mozart • Vienna an important crossroads • Capital of Hapsburg (Austro-Hungarian) empire • Influence of Germany, Bohemia (Czech Republic), Hungary, & Italy
Vienna (1) • Vienna’s golden years—1780-1790 • Emperor Joseph II an enlightened ruler • Emancipated peasants • Furthered education • Reduced power of the clergy • Supported music & literature • Encouraged free press • Many composers were drawn to Vienna
Composers in Vienna • Haydn was Europe’s principal composer • Worked in nearby Eisenstadt • Wrote symphonies for far-off Paris & London • Mozart came from Salzburg in 1781 • Spent final decade of his life in Vienna • Wrote many of his greatest works • Beethoven arrived from Bonn in 1792 • Came to study with Haydn • Launched his career in Vienna
The Enlightenment and Music • France the center of the Enlightenment • Influenced by English philosophy • Influential in Germany & Austria • Major figures included Voltaire & Rousseau • Rooted in a faith in reason • Derived from Baroque scientific orientation • Science now to be used for human benefit • Applied rational methods to social sphere • Public morality, education, & politics • Social injustice & religion came under fire
“The Pursuit of Happiness” • American contribution to Enlightenment was profound • Declaration of Independence & Federalist Papers • Notion that a new state could be founded on rational principles • Emphasis on human rights–“life, liberty, and the pursuit of happiness” • An age that valued good living • Encouraged intelligence, wit, & sensitivity • Invented salon, coffee house, & public concert
Art and Entertainment • Arts expected to entertain, to please • Not to instruct, impress, or express • Rococo style fashionable at midcentury • Light, decorative style • Popular in painting, furniture, jewelry design • Music developed a similar style (galant) • Light & charming • Divertimento a typical genre–designed to divert, amuse, & entertain
Jean-Jacques Rousseau & Opera (1) • Rousseau the first “alienated” intellectual • Emphasis on nature & the individual • The “natural man” an influential idea • Social institutions seen as too stifling • Wrote articles on politics & music for the great French Encyclopédie (1751-65) • Rousseau attacked Baroque opera! • Encouraged a simpler, more natural music that focused on real people, real life
Jean-Jacques Rousseau & Opera (2) • Rousseau was excited by a new Italian comic opera • Pergolesi’s La serva padrona • Lively, catchy music • No coloratura singing or exaggerated emotion • Story of servant girl who tricks a rich bachelor into marriage • Encouraged French comic opera as well • Comic opera became the most progressive operatic form of the day
The Novel (1) • New genre took hold around 1750 • Literary equivalent of the new comic opera • Features that made the novel popular • Sharp, realistic observation of contemporary life • Sensitive depiction of feeling • Many managed to be sexually explicit, sentimental, & moralistic all at the same time
The Novel (2) • Well-known early novels included— • Henry Fielding’s Tom Jones • Samuel Richardson’s Pamela • Jane Austen’s Pride and Prejudice, Emma, Persuasion, etc. • Many novels were turned into operas • Mozart’s great operas can be compared to great novels • Penetrating, sympathetic portrayal of characters
Neoclassicism • Important movement in the visual arts • Emphasis on “the natural” • Influence of Greek & Roman classics • Return to simple, natural values • Rejection of complex Baroque solemnity • Rejection of pleasant Rococo frivolity • Gluck attempted to reform serious opera • Austere yet dramatic classical subjects • Simpler, more natural melodies