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atmospheric or aerial perspective Chiaroscuro & tenebrism cross-hatching and hatching

atmospheric or aerial perspective Chiaroscuro & tenebrism cross-hatching and hatching hue, value (key), and intensity (saturation) local, perceptual, optically mixed, and arbitrary color palette pointillism & optical mixing of color primary, secondary and intermediate colors

nita-meyer
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atmospheric or aerial perspective Chiaroscuro & tenebrism cross-hatching and hatching

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  1. atmospheric or aerial perspective • Chiaroscuro & tenebrism • cross-hatching and hatching • hue, value (key), and intensity (saturation) • local, perceptual, optically mixed, and arbitrary color • palette • pointillism & optical mixing of color • primary, secondary and intermediate colors • spectrum • Temperature • Symbolic or expressive color • Visual texture • Motion and time • Action painting • Outline or contour line • Implied line • Expressive line • Analytic or classic line • Shape and mass • 3-dimensional space • 2-dimensional space • Linear perspective • Vanishing point • One-point linear perspective • Foreshortening

  2. FORMAL ELEMENTS OF ARTTest on April 2Entire section on Formal Elements of Art

  3. Foreshortening

  4. Illusion of depth // two-dimensions - 1490 (left) versus 1907 (right)

  5. Atmospheric perspective The first object of the painter is to make a flat plane appear as a body in relief and projecting from that plane.-- Leonardo da Vinci

  6. Chiaroscuro: In drawing and painting, the use of light and dark to create the effect of 3-dimensional, modeled surfaces. Tenebrism: A heightened form of chiaroscuro

  7. Hatching and cross-hatching

  8. Color Spectrum and color wheel (invented in the 18th century)

  9. Test for red/green color blindnessNormal color vision should read the number 3.Red-Green deficiencies should read the number 5.Total color blindness should not be able to read any numeral.

  10. Cool and warm temperaturemonochormatic palette

  11. Value (key) scale: the relative lightness or darkness of a picture or the colors employed in it

  12. Saturation and intensity // tints and shadesIntensity: the relative purity of a color’s hue and a function of its relative brightness or dullness

  13. Interaction of colors

  14. Pointillism // optical mixing of color

  15. Chuck Close, optical mixing

  16. Arbitrary color versus local color

  17. Symbolic or Expressive color

  18. visual texture (versus actual texture based on touch)

  19. Claude Monet, Waterlilies, late 19th century Impressionist oil on canvas panorama painting at the Jeu de Paume in Paris. No focal point gives sense of timeless time.

  20. Time and motion // visual rhythm

  21. Action Painting – Jackson Pollock (viewer has awareness of time – event of painting as verb)

  22. Op art: visual motion / visual rhythmBridget Riley

  23. Tinguely, Homage to New York, kinetic sculpture

  24. Alexander Calder, Mobile, National Gallery of Art, Washington D.C // kinetic sculpture

  25. Pattern

  26. Miriam Schapiro, Mother Russia, Pattern as a feminist statement, 1994, Femmage

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