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Vocational English. Plan. Who are the students?. « Nobody believes in us. Just look at us. We are not the sharpest crowd around .» Human beings
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Who arethe students? «Nobodybelieves in us. Just look at us. Weare not thesharpestcrowdaround.» Human beings The teacherneeds to use his or her ownsocial skills and look for possibilitiesofconnectingwiththe students. It’s a fundamental part ofthejobwhoevertheyare, buteven more important for whotheycanbecome.
Canthey do it? YES WE CAN!
What is thepotential? • student 1: Learning outcome: 8 • Motivation to work: 10 • Relevance to your programme of study: 10 • student 2: Learning outcome: 8 • Motivation to work: 10 • Relevance to your programme of study: 10 • student 3: Learning outcome: 6 • Motivation to work:7 • Relevance to your programme of study:9 • Students’ selfassessmentfollowing to a working segment, year 1 Industry and Technical Production.
Selfesteem and relevance • 1st classroomexample: Whatcanvocational English be? • https://digitallearning2016.wordpress.com/2016/02/25/a-digital-story-telling-project-in-vocational-english-upper-secondary-school/
So is there a vocational English? • Yesthere is: It is subjectfocussed and it is logicallyperceived by the students. There is noneed to explain. It is tangible. • Make English relevant enough. It creates a connectionuponwhichyoucan show thelargerpicture.
Luciano Mariani: Challenge and support • Quality? • Quantity? • Student Autonomy? versus Teacher Dependence? TESOL:«Teacher support and teacherchallenge in promotinglearnerautonomy»
Currentreference to Mariani • Pauline Gibbons: Associate Professor, Univ. New South Wales, Sydney («Scaffoldinglanguage, scaffoldinglearning. Teachingsecondlanguagelearners in themainstreamclassroom», 2002)
From theory to real life Is effectivescaffoldingunrealistic in terms ofextrawork? Not necessarily: Classroomexample 2 Reading and writingprojectsMay 2016 Charlottenlund VGS, Trondheim, year 1.
Check-in entries An entry a paragraph Steps to thecreationof an essay
Entrypossibilities • Copy a sectionofthetextwherewemeetthemaincharacter(quotation, reference, page) • Copy a sectionofthetextwherethe setting is described (quotation, reference, page) • Is thewriter’s style formal/informal, personal/impersonal in youreyes? Show us an example. (quotation, reference, page) INPUT before PRODUCTION BUILD KNOWLEDGE, COLLECT MATERIAL, CONSTRUCT IN A COMMON SPACE. (Gibbons, 2002, p. 41),- INDIVIDUAL OUTPUT AND PRODUCTION. Academicvocabulary and referenceawarenessin smallproportions. The type ofentriesaredesigned by theteacherfor eachclass. The reading is scaffolded as well as taking notes. We MODEL a workingprocess FOR the students and WITH the students, DEVELOP thelanguagetheyneed.
«Designed-in» versus «contingent» scaffolding. • Kate Wilson and Linda Devereux, Scaffoldingtheory: High challenge, high support in academiclanguagesand learningcontexts(2013) – newMariani ref. • «designed-in» scaffolding (carefullysequenced and structured sub-tasksleading to thecompletionofthemajor task) • «contingent» scaffolding (moment – to – moment interactionbetweenteacher and student).
Designed-in scaffolding: Imagine difficulties and design a solution.
Timing Reading/writing: Monthof May free location enjoyablemotivation • Control: Everybodycanseeyourentries. Students commentoneachother. +/- • Trust, mastery: «Nobodybelieves in us» • Massive access to individualfeed-back and support. • Liberates time for students whoneed a different type ofwork as well(sentencestructures, verbs, etc.). Intensive individual/smallgrouplanguagecourses? Reading and speakingsequenceswiththeteacher.
Classroomexample 3: «Aesthesis: An unelaboratedelementaryawarenessofstimulation.» Restaurant and foodprocessingprogramme, year 1. The sensesareawakened NOU 2015:8
Whatdidyouthinkabout my ringing tone? «Boring» - thesaurus.com: Synonyms Now listen to eachother’s sounds and try to describethem.
Write youradjectivesonthewhiteboard. • Look up 2 words and find synonyms.
Words’ register and tone Tweet språkteigen 10. september 2015: «Liker godt denne plakaten på veggen hos et lite, uhøytidelig spisested i Trondheim»
Production phase Writingtask: Group work, discussthe tone youwantto achieve. 1. You run an icecream bar. Write an advertisementwhereyoutry to attractthetourists from thecruiseships. 2. You run a good restaurant. Write an advertisementwhereyoutry to attractthetourists from thecruiseships.
TLC- Teaching and learningcycle TEACHER GUIDED PROCESS (Gibbons, 2002, p.130) Constructknowledge Model: talk aboutlanguage Commonconstruction (withteacher,- or groups) Individualproduction
High support in context dependent spokenregister: Teacher style • Pauline Gibbons: Associate Professor, Univ. New South Wales, Sydney («Scaffoldinglanguage, scaffoldinglearning. Teachingsecondlanguagelearners in themainstreamclassroom», 2002)
Reluctantreaders • Create safe spaces: Teacher-student time • Filemail.com • Audio files withoutillustrations, simple readings, summariesoflearning material. • Student teacherconversation: Individual talk about a text, a film, a workprocess etc.. - Smaller missions.
Student autonomy is a goal Individualpresentations and reading in theclassroomrequire a type ofselfconfidencesome students do not have. Strategy: Buildthe skills beforeyouexposetheirproduction. Autonomy is a goal, not an expectation.
Language level • Gibbons: Like secondlanguagelearners in a mainstreamclassroom, we have students whoknow less English. • Use TLC (Teaching and Learning Cycle), followthemthroughthesteps (buildknowledge, modelsentences, createtextstogether, individualconstruction). • Reducethe speed, allowthestudents to think. • Do not simplifytoomuchaccording to Mariani’smodel,- give more support. • Students are more teacher dependent.