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Directing and Producing

Directing and Producing. Connie Yen 9743022. Producer - have the financial and managerial tasks of making productions available to the public. Director - is concerned with the artistic aspects of production. Producer in Broadway Theatre. Organizations, a group of individuals, consortia.

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Directing and Producing

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  1. Directing and Producing Connie Yen 9743022

  2. Producer-have the financial and managerial tasks of making productions available to the public. • Director-is concerned with the artistic aspects of production.

  3. Producer in Broadway Theatre • Organizations, a group of individuals, consortia. • Seek financial banking, raise the necessary capital. • Negotiate contracts with all of the personnel. • Rent space for auditions and rehearsals. • Keeping financial records, making reports to investors.

  4. Director • Decides upon an interpretation of the script and a production concept that will shape its staging. • Casts and rehearses with the performers. • Works with the designers. • Integrates all of the elements into a finished production.

  5. Adrian Noble : “I tend to give the actors quite a strong conceptual line on a play…” • Peter Stein : “The fuction of the director is not that of the father, but perhaps that of the elder brother” • ArianeMnouchkine : “I’m like a midwife.”

  6. Aproaches to Directing • Transferring the script as literally as possible from page to page. • Search for a metaphor, dominant theme, or set of conventions that will shape the production.[ex] • Using this approach, directors may begin with the script but feel free to reshape it as they see fit. [ex]

  7. Peter Brook – Midsummer Night’s Dream

  8. Central motif : the potentials and dangers of love. • used the performers cast as Theseus and Hippolyta to also play Oberon and Titania to underscore these connections. • Botton, rather than being transformed into a donkey, became a clown with a red rubber ball for a nose. • If ineptly applied it can distort the script by calling attention to bizarre staging.

  9. Jerzy Grotowski-Akropolis

  10. With the intention of provoking audiences into self-examination and self-recognition. • Reshaped the play so that rather than stressing the possibility of redemption, it depicted “the cemetery of our civilization.” http://www.youtube.com/watch?v=bh7T10IUBuU

  11. Work with others in transforming their vision into reality. • Most directors begin with a reasonably clear idea of what they wish to accomplish, they also make discoveries through their interactions with designers and performers that provide new insights into the script and alter their initial plans.

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