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Ideation

Ideation. HCDE 518 & INDE 545 Winter 2012. With credit to Jake Wobbrock, Dave Hendry, Andy Ko, Jennifer Turns, & Mark Zachry. Agenda. Announcements Lecture & Discussion – Ideation Break – 5 mins Group work – Ideation for P2 Next class. Announcements. P1 due today, R6 next week

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Ideation

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  1. Ideation HCDE 518 & INDE 545 Winter 2012 With credit to Jake Wobbrock, Dave Hendry, Andy Ko, Jennifer Turns, & Mark Zachry

  2. Agenda • Announcements • Lecture & Discussion – Ideation • Break – 5 mins • Group work – Ideation for P2 • Next class

  3. Announcements • P1 due today, R6 next week • Questions?

  4. LECTURE – IDEATION

  5. Ideation • How to come up with lots of ideas? • How to come up with the big ideas? • How to refine those ideas? • How to organize those ideas?

  6. Within the Design Process

  7. Idea Oscillation

  8. Idea Oscillation

  9. Creativity

  10. Activity: How to inspire creativity? • Spend 2 minutes thinking about your answer (write it down) • Turn to one person next to you and discuss what you came up with • We will then share ideas with the class

  11. How to Inspire Creativity? • Immerse yourself in the world for which you're designing • Generate ideas constantly • Keep a book, you never know when you're going to be inspired • Sketch your vague ideas to think through them more clearly

  12. How to Inspire Creativity? • Explain your ideas to others regularly • Feedback from others can inspire new ideas • But make sure you don't get stifled by it • Take an outsider's perspective on something you know • Take an insider's perspective on something you don't know • Take risks! • Early in the design process, it won't hurt

  13. Think of the Children • Children are creative because they don't know the rules, and thus break them all the time • Children don't know the consequences, and thus are more likely to take risks

  14. Other Ideas • Take things from one domain and try them in another • Talk with other creative people • Leave your comfort zone • Be passionate about the topic • Consider posting sketches around your workspace for inspiration and feedback • Read science fiction

  15. More Ideas (Mountford 1990) • New uses of the design • Adapt the design to be like something else • Modify the design for a new purpose • Magnify—add to the design • Minimize—subtract from the design • Substitute within the design • Rearrange the design • Reverse or transpose the design • Combine the design in an ensemble

  16. Possible Futures • Look to current trends and extrapolate future possibilities. The trends can be human, or technology, or both. Think sci-fi! • Current trends • Distributed, social, community-driven, bottomup, sensors, networks, ambient, invisible, mobile, reconfigurable, fashion, adaptive…

  17. Roleplaying

  18. Roleplaying Features • Script • Director • Actors • Audience • Setting • Performance or rehearsal? • Props

  19. Brainstorming • Working in groups is essential to design • Brainstorming can be fun and fruitful • Keep the results of your user research handy during the process • e.g., personas, scenarios, lists of design requirements

  20. IDEO's Rules for Brainstorming • 1. Be visual • 2. Defer judgment • 3. Encourage wild ideas • 4. Build on the ideas of others • 5. Go for quantity • 6. One conversation at a time • 7. Stay focused on the topic

  21. 7 Brainstorming "Dos" (Tischler, Fast Company, 2001) • 1. Sharpen the focus • 2. Write playful rules • 3. Number your ideas • 4. Build and jump • 5. Make the space remember • 6. Stretch your mental muscles • 7. Get physical

  22. 6 Brainstorming "Don'ts" (Tischler, Fast Company, 2001) • 1. Let the boss speak first • 2. Give everybody a turn • 3. Ask the experts only • 4. Go off-site • 5. No silly stuff • 6. Write down everything

  23. Exercise: Ideation & Quantity (10 min.) • Using the attached sheet, fill in all 20 circles with a different smiley face/emoticon

  24. Summary • If you're stuck on coming up with ideas, there are lots of things you can do to inspire creativity • Brainstorming works best as a group without initial judgment • Filter ideas based on their strengths, weaknesses, feasibility, originality, and their ability to meet your users’ needs

  25. Jeena’s Questions • The boss is often used to directing and managing workers. How can we break the traditional office hierarchy and method of operation when we need to generate ideas? • it's important to include the client's wishes when designing a product, but when they want to cut corners on safety to save money, is it the designer's moral obligation to say no? • According to Blanco, drawings and written descriptions don't transmit information in the same way as oral descriptions and lose their meaning over time, so when designers can't remember why they chose to do something, old notes might not help and they might have to reinvent a solution they had thought of before. How can we improve our process to ameliorate this issue?

  26. Jeena’s Questions • One problem people have when using stories and personas is that they don't invite, suggest, or question, but tell, show, explain, and try to convince. Can creating an ad-lib situation of a story help encourage suggestion and questioning? • Buxton says sketch appearance can invite suggestions and criticism or impart a finished design. How could you create a sketch that employs the imagination of the viewer? • When talking about Orange Juicers, Buxton describes the experience of an object being so important in design, but difficult to impart in sketches. What are some ways we can show how an object should feel through a sketch?

  27. Sketching Paper • http://www.henkwijnholds.com/mbti-sketching-paper-ideation/

  28. BREAK – 5 MINUTES

  29. P2 – Ideation & Sketching • Due next Wedneday • As a team, conduct a brainstorming session where you generate at least 10 ideas per person (e.g., 30 total ideas for a 4 person team) • Feel free to go for more! More is better! • As a team, filter the ideas according to your users’ needs and pick the best three • Resketch these 3 ideas more neatly and provide a 1-2 paragraph written justification for why they're the best • Class time today will be given for this

  30. Next Class Topics • Monday, February 13th • Lo-Fi Prototyping • Discussant: John • Wednesday, February 15th • Hi-Fi Prototyping • Upcoming Work • R6, P2

  31. Group Project time

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