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IV THREE COLLABORATIVE PILLARS V.11 (We Apr 9) Gesture Theory (4)

IV THREE COLLABORATIVE PILLARS V.11 (We Apr 9) Gesture Theory (4). Proposition (Escher Theorem) Given a topological space X, a sequence of gesture skeleta  1 ,  2 , ...  n and a permutation  of 1, 2,... n. Then there is a topological isomorphism

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IV THREE COLLABORATIVE PILLARS V.11 (We Apr 9) Gesture Theory (4)

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  1. IV THREE COLLABORATIVE PILLARS V.11 (We Apr 9) Gesture Theory (4)

  2. Proposition (Escher Theorem) Given a topological space X, a sequence of gesture skeleta 1 , 2, ...n and a permutation  of 1, 2,... n. Then there is a topological isomorphism 1@ ...n@X  (1)@ ...(n)@X „The skeleta of hypergestures can be exchanged“      „a loop of lines = a line of loops“

  3. convex concave

  4. belvedere

  5. cycle

  6. Look at LvB/op. 106/Allegro Fanfare to Understand Rhythm Here! 1/8 1/8

  7. repetition of halting gesture halting ofrepetition gesture repetition gesture halting gesture

  8. Turn this Abstract Logic into a Gestural Movement Solution: Complexification + Deformation David Lewin’scharacteristic gesture “ i—   Complexification exchanges duration/onset ~ repetition/halting!

  9. h g k Comprendre est attraper le geste et pouvoir continuer.

  10. z x u y X Y w v gesture morphisms: throwing gestures around g  f 

  11. Rebecca Lazier VANISH 2002 Guerino Mazzolaand Heinz Spoerli‘sZurich OperaBallet 2006

  12. Rebecca Lazier: Vanish choreography (7 dancers) New York City 2002 for Arnold Schönberg‘s String Trio op. 45 (1946 after heart attack) Paper: Making Schoenberg Dance In: Sound MovesProceedings of the Int. Conf. on Music and Dance, Roehampton Univ.

  13. Lazier refers to Michael Cherlin‘s paper Memory and Rhetorical Trope inSchoenberg‘s String Trio(J. Amer. Musicol. Soc. 1998, vol. 51, no. 3) Schoenberg explained the many juxtapositions of unlike material within the Trio as reflections of the delirium which the composer suffered during parts of his illness. Thus, the seemingly fragmentary nature of the Trio‘s material represents the experience of time and events as perceived from a semiconscious or highly sedated state. These unusal juxtapositions also represent ... the alternate phases of „pain and suffering“ and „peace and repose“ that Schoenberg experienced. (Schoenberg shared his illness experience with friends and students.) distraction/imperfection

  14. Cherlin‘s three levels of memory are hypergestural networks memory ~ gestural movement musical world extramusical world work work work

  15. Teil 2doze off Episode 2awaking

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