1 / 9

Chapter Eighteen

Chapter Eighteen. Improvisation and Form. New Orleans at the Turn of the 20th Century. A Blending of 3 Musical Styles: Folk Music Celtic-English-French African-American (Slave Songs) Popular Music “Gay 90’s” Songs Vaudeville Songs Minstrel Songs

rimona
Download Presentation

Chapter Eighteen

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Chapter Eighteen Improvisation and Form

  2. New Orleans at the Turn of the 20th Century • A Blending of 3 Musical Styles: • Folk MusicCeltic-English-French African-American (Slave Songs) • Popular Music“Gay 90’s” Songs Vaudeville Songs Minstrel Songs • Light Classical Music (Parlor Songs)Operettas Chautauqua

  3. New Orleans at the Turn of the 20th Century • Instrumental/Stylistic Influences: • Military Bands(cheap musical instruments) • Ragtime(syncopation) • The Blues(call and response)

  4. Important Musical Elements in Jazz • Vocal Inflections • “Blue” notes • Bending pitches (melismas) • Word painting

  5. Important Musical Elements in Jazz • Rhythmic Elements: • Steady Tempo (Pulse) • Syncopation • Repetition of Short Patterns (riffs) • Call and Response

  6. Swing –– Early 30’s to Late 40’s Big Bands • Fletcher Henderson • Duke Ellington • Count Basie • Benny Goodman • Dorsey Brothers • Glenn Miller Combos • Art Tatum • Lionel Hampton • Ben Webster • Lester Young • Jonah Jones • Django Reinhardt

  7. Edward Kennedy “Duke” Ellington[1899-1974] • Pianist • Composer/Arranger • Band Leader

  8. Diversity and Breadth of his Style:Characteristics of his Music • Arrangements • Film Scores • Romantic Ballads • Exotic Works • Concert Works • Sacred Works • Concerto-Type Works • Swinging Instrumentals with Jazz Solos

  9. Duke’s Arranging is Unique • Diversity of themes within a single piece • Block Scoring • Voicing Across Sections • Wordless Vocals • Parts written for unique capabilities of musicians • Mixture of improvised parts with prewritten parts

More Related