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Ancient Greek Architecture -550 BC- 330 BC. New Vocabulary: Cornice Pronaos Frieze Colonnade Architrave Peristyle Capital Anta Shaft entasis Base caryatid Triglyphs Metope Stylobate Entablature Dentils Volute Cella (Naos). Doric, Ionic, Corinthian orders.
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New Vocabulary: Cornice Pronaos Frieze Colonnade Architrave Peristyle Capital Anta Shaft entasis Base caryatid Triglyphs Metope Stylobate Entablature Dentils Volute Cella (Naos)
Architectural Orders- constant group of architectural families • Doric- from mainland Greece- basic order, older, more sharply defined-probably came from Mycenae • the exterior of any Doric temple-Doric column-shaft, marked by shallow vertical grooves (flutes) and the capital, which is made up of the cushion-like echinus and a square tablet known as the abacus • Entablature is the most complicated section- • architrave- a series of stone blocks directly supported by the columns • frieze- with its triglyphs and metopes and projecting cornice • cornice- on long side of the temple, the cornice is horizontal, on the short sides (façade), cornice is split open to enclose the pediment • entire structure is built with stone blocks fitted together without mortar, sometimes fitted together with metal dowels
Greek temples Were meant to be more impressive from the outside, as opposed to Egypt, where the inside of the temple was more important Anta Cella or Naos Pronaos Colonnade Or Peristyle- Typical Plan of a Greek temple
Doric Temples- Temple of Poseidon, c. 460 BC • shafts of columns have a pronounced taper- have a sense of compression- gives the columns a muscular quality- entasis • one of the best preserved of all Doric sanctuaries- 2 rows of columns support the ceiling – 2 story interior
The Parthenon 448-432 BC • 480 BC- Persians destroyed the temple and statues at the Acropolis that had been fortified since Mycenae- provided archeologist with many archaic pieces (like calf-bearer and Rampin Head) • Pericles oversaw the reconstruction of the Acropolis during the later 5th century- represent the Classical phase of Greek art in full maturity Plan
Less massive than Poseidon - more balanced and graceful-columns are more slender, the space between them are wider-thought to add to its beauty • Originally had roof of wood and tile
Propylaea, Acropolis, 437-432 BC • Also commissioned by Pericles- serves as the entry way to the Acropolis • Architect was Mnesicles- fits alongside a hill-rising site • Includes a picture gallery-1st known instance of a room made for this purpose • Just beginning to change over to Ionic style...
IONIC STYLE- (First used around 450 BC Temple of Athena Nike, Acropolis, 427-424 BC • Ionic Temples- from the Aegean Tradition with influences from the Near East • Many examples are found in the Acropolis • More flexible than the Doric order- major difference is in the columns • More slender, less tapering, lighter and more graceful- more plantlike and less powerful- probably Egyptian (papyrus) in origin • Thought of at first as only suitable for small temples of simple plans
Erechtheum, Acropolis 421-405 BC • Large and complex, also suited to a sloping site • Flanked by two porches
Porch of the Maidens, Acropolis, 421-405 BC • Shows off the feminine quality of the Ionic order • Female figures are called caryatids • Sculpture confined to the freize- pediments are bare- perhaps because of lack of funds
Corinthian Capitals- • Substitute for Ionic capitals • Shaped like an inverted bell, with leaves of a acanthus plant • At first, used only for interiors • Monument is not really a building- no entrance to its hollow base • Built to show off a tripod won by Lysicrates in a contest • Columns are engaged • Corinthian order became the standard for Roman architecture Monument of Lysicrates, Athens, 334 BC
The Theater, Epidaurus, 350 BC • Many theaters were built with same plan • Shape built into a hillside, concentric rows of seats • Center stage is called the orchestra
Greek architecture failed to progress much past the time of the Peloponnesian War (400 BC) • Greeks never moved beyond post and lintel architecture, which eventually led to a staleness in building design • Never moved past the rigid nature of the orders of architecture