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THE RENAISSANCE. THE BAPTISTRY DOORS. LORENZO GHIBERTI 1435 EACH PANEL 21 X 17 NATIONAL MUSEUM, FLORENCE. MADONNA & CHILD ENTHRONED. GIOTTO 1305 – 1310 UFFIZI GALLERY, FLORENCE. THE MADONNA AND CHILD. Masaccio 1426 Tempera on panel 24.5 x 18 cm Uffizi, Florence.
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THE BAPTISTRY DOORS • LORENZO GHIBERTI • 1435 • EACH PANEL • 21 X 17 • NATIONAL MUSEUM, FLORENCE
MADONNA & CHILD ENTHRONED • GIOTTO • 1305 – 1310 • UFFIZI GALLERY, FLORENCE
THE MADONNA AND CHILD • Masaccio • 1426 • Tempera on panel • 24.5 x 18 cm • Uffizi, Florence
THE EXPULSION OF ADAM AND EVE • Masaccio • 1426-1428 • Fresco • 208 x 88 cm • Brancacci Chapel, Florence
DAVID • DONATELLO • 1430-1432 • 62 1/4” • NATIONAL MUSEUM, FLORENCE
MAGDALEN • DONATELLO • 1454-1455 • 6’2” • BAPTISTRY, FLORENCE
RESURRECTION • Piero della Francesca • 1463-1465 • Mural in fresco • 225 x 200 cm • Pinacoteca Comunale, Sansepolcro
THE FLAGELLATION • Piero della Francesca • 1455 • Oil and tempera on panel • 58.4 x 81.5 cm • Galleria Nazionale delle Marche, Urbino
THE LAST SUPPER • LEONARDO DA VINCI • FLORENTINE • 1495-1498 • 181 X 346 1/2” • MILAN
MONA LISA • LEONARDO DA VINCI • FLORENTINE • 1503-1505 • 30 1/4 X 21” • THE LOUVRE, PARIS http://library.thinkquest.org/13681/data/link2.htm
THE VIRGIN OF THE ROCKS • Leonardo Da Vinci • 1503-1506 • 6 x 4 ft • National Gallery, London The sfumato (haze) creates a sense of peculiar warmth and intimacy-more of a poetic vision
Vitruvian Man(Man of Perfect Proportions) • Leonardo Da Vinci • 1492 • Pen and Ink • Accademia, Venice • 13 ½ x 9 ½
THE ASSUMPTION OF THE VIRGIN • Correggio • 1525 • Fresco • Parma Cathedral, Parma, Italy
CEILING OF THE SISTINE CHAPEL • MICHELANGELO • FLORENTINE • 1508-1512 • THE VATICAN, ROME
THE LAST JUDGMENT • MICHELANGELO • 1535-1544 • ALTAR WALL, SISTINE CHAPEL, VATICAN CITY
DAVID • MICHELANGELO • 1501-1504 • 161” • ACCADEMIA, FLORENCE
PIETA • MICHELANGELO • 1498-1499 • 68 X 76” • ST PETER’S, • ROME
Moses • Michelangelo • 1508-16 and 1542-45, marble • height 7 ft 8 ½ • San Pietro in Vincoli, Rome. • This sculpture is at the base of Pope Julius II's mausoleum. [Detail of the head of Moses. Moses's horns derive from a long tradition in which horns were symbolic of divinity in Near Eastern and Nordic cultures.]
THE ASSUMPTION OF THE VIRGIN • TITIAN • VENETIAN • 1516-1518 • 269 X 140” • VENICE
RAPE OF EUROPA • Titian • 1559-1562 • Oil on canvas • 185 x 205 cm • Isabella Stewart Gardner Museum, Boston
SCHOOL OF ATHENS • RAPHAEL • URBINO • 1509-1511 • THE VATICAN PALACE, ROME
SISTINE MADONNA • Raphael • 1513 – 1514 • Oil on panel • Dresden Gallery, Dresden, Germany
St. Jerome Punishing the Heretic Sabinian • Raphael • Italian • 1503 • NC Museum of Art
BIRTH OF VENUS • SANDRO BOTTICELLI • 1485 • 68 X 109 IN • UFFIZI GALLERY, FLORENCE
ALLEGORY OF SPRING (LA PRIMAVERA) • Sandro Botticelli • 1477-1478 • 10’4 x 6’9 • Uffizi, Florence
The Adoration of the Child • Sandro Botticelli • 1500 • NC Museum of Art
The Assumption of the Virgin • Lodovico Caracci • Italian • about 1586-7 • NC Museum of Art
Madonna and Child in a Landscape • Giovanni Battista Cima da Conegliano • Italian, • about 1496-99
ARNOLFINI WEDDING PORTRAIT • Jan Van Eyck • 1434 • Oil on wood • 31 ¼ x 23 1/s in • National Gallery, London
ERASMUS • Hans Holbein the Younger • 1523 • 43 x 33 cm • Louvre
The Last Supper • Hans Holbein the Younger • 1524-1525 • Limewood • 115 x 97 cm • Kunstmuseum, Öffentliche Kunstsammlung, Basle
PEASANT WEDDING • Pieter Bruegel the Elder • 1568 • Oil on wood • 45 x 64 ½ in • Kunsthistorisches Museum, Vienna
PEASANT DANCE • Pieter Bruegel the Elder • 1568 • Oil on oak panel • 114 x 164 cm • Kunshtistorishes Museum Wien, Vienna
Self Portrait at Twenty-Seven • Alfred Durer • 1498 • Oil on wood • 20 ½ x 16 • Prado Museum, Madrid
The Adoration of the Magi • Albrecht Durer • 1504 • Uffizi, Florence