1 / 22

Paragraph Transitions

Paragraph Transitions. Professor Crystal Shelnutt. Types of Transitions. Standard devices Paragraph hooks 3) Combinations of 1 & 2. Standard Devices. Simple and obvious Specific words and phrases AWR : Tab 10, 52d (p. 457?). Standard Devices. Oversimplified Examples:

sitara
Download Presentation

Paragraph Transitions

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Paragraph Transitions Professor Crystal Shelnutt

  2. Types of Transitions • Standard devices • Paragraph hooks 3) Combinations of 1 & 2

  3. Standard Devices • Simple and obvious • Specific words and phrases • AWR : Tab 10, 52d (p. 457?)

  4. Standard Devices Oversimplified Examples: • Puppies are a nuisance. • They are wonderful. • True, puppies are a nuisance. • Nevertheless, they are wonderful.

  5. Standard Devices • The project had value. • It wasted time. • Admittedly, the project had value. • But it was wasted time.

  6. Standard Devices • He was a brilliant actor. • He often performed miserably. • He was, to be sure, a brilliant actor. • Yet he often performed miserably.

  7. Standard Devices • Note on “however”: • The best position for however is nearly always inside a sentence, between commas: • Good study habits, however, cannot be established overnight.

  8. Paragraph “Hooks” • Standard words and phrases are good • They cannot, however, handle the whole transitional load: they become overused • “Hook” words from the previous paragraph into the next • Either from the last sentence or even deeper into the previous paragraph

  9. Paragraph “Hook” ¶ Mark Twain is established in the minds of most Americans as a kindly humorist, a gentle and delight “funny man.” No doubt his photographs have helped promote this image. Everybody is familiar with the Twain face. He looks like every child’s ideal grandfather, a dear old white-thatched gentleman who embodies the very spirit of loving-kindness.

  10. Paragraph “Hook” • (Standard transition) ¶ ButTwain wrote some of the most savage satire ever produced in America . . . • Abrupt leap from one idea to the next • Mechanical

  11. Paragraph “Hook” ¶ . . . a dear old white-thatched gentleman who embodies the very spirit of loving-kindness. ¶ The loving-kindness begins to look a little doubtful in view of some of his writing. For Twain wrote some of the most savage satire . . . • The last word of the previous paragraph “hooks” into the first sentence of the next paragraph and provides a point of departure for next idea

  12. Deeper Paragraph “Hook” ¶ . . . a dear old white-thatched gentleman who embodies the very spirit of loving-kindness. ¶ This dear old white-thatched gentleman happens to be the author of some of the most savage satire . . . • Generally, the last sentence is best place to find your “hook” to get to your next paragraph

  13. Still deeper: The Multiple Hook ¶. . . photographs have helped promote this image. Everybody is familiar with the Twain face . . . ¶ To accept such an image is to betray greater familiarity with the photographs than with the writing. For Twain wrote some of the most savage satire . . . • Here you have the “double-hook” • The greater the distance, the more likely your need for multiple words to make the connections clear

  14. A Note on the “Hook” • Don’t insult your reader by making the connection too clear • That is, don’t repeat huge sections or whole sentences from the preceding paragraph. • One or two words will do the job.

  15. The Idea “Hook” • So far, examples are simple words or phrases • Another variation of the paragraph “hook” is the idea hook • Principle is the same: hooking into the preceding paragraph • Instead of repeating an exact word or phrase, however, you refer to the idea just expressed • Compress that idea into a single phrase

  16. The Idea “Hook” (Recall our paragraph: Twain as kind, dear, loving) ¶ Such a view of Twain would probably have been a source of high amusement to the author himself. For Twain wrote some of the most savage satire . . . • Or ¶ Any resemblance between this popular portrait and the man who reveals himself in his writing is purely imaginary. For Twain wrote . . .

  17. The Combination • Natural, matter of course • Use your sense of what the reader requires for clarity • Use with your own sense of rhythm and sound in writing

  18. The Combination ¶ The loving-kindness begins to look a little doubtful, however, in view of . . . ¶ Yet this dear old white-thatched gentleman . . . ¶ But to accept such an image . . . ¶ Such a view of Twain, however, would probably . . .

  19. Some Transitional Phrases • Admittedly • And • Assuredly • But • Certainly • Clearly, then • Consequently • Even so • Furthermore • Granted

  20. Some Transitional Phrases • In addition • In fact • Indeed • It is true that • Moreover • Nevertheless • No doubt • Nobody denies • Obviously • Of course

  21. Some Transitional Phrases • On the other hand • Still • The fact remains • Therefore • Thus • To be sure • True • Undoubtedly • Unquestionably • Yet

  22. Work Cited • Payne, Lucile Vaughan. The Lively Art of Writing. New York: Penguin, 1965. Print.

More Related