200 likes | 232 Views
Explore the evolution of English drama from its birth in churches with medieval mystery plays through the development of trade guilds, morality plays, and the grandeur of the Elizabethan Theatre at The Globe.
E N D
Origins of English Drama
The Middle Ages • Miracle and Mystery plays • Trade Guilds • Pageants • Morality plays • Elizabethan Theatre • Stage • Actors • Scenes • Audience • The Globe Theatre Summary
ORIGINS medieval drama developed from the 10th to the 15th century it was born in churches representation of episodes from the Bible Creation, Fall of Satan, Adam and Eve, Noah’s Ark, birth of Jesus, episodes from his life, his death and resurrection, Last Judgement
Mystery plays • little by little, out into the churchyard • responsibility taken by laymen (trade guilds) • later performed on pageants
Miracle plays • representation of episodes from the lives of Jesus, Mary, saints • combination of professional and • amateur actors • performed on pageants • acted in English
Trade Guilds • they were groups of • tradesmen and artisans • guild derives from the Old • English geld, which means • “payment” • on particular feast days • they prepared biblical plays • to perform
Pageants • processions associated with secular and religious rituals • important aspect of the celebration of Corpus Christi
re-enacted the entire history of salvation each pageant was sponsored by a guild
more refined invented plots personification of vices and virtues didactic purpose written in vernacular Morality plays
Everyman • Dutch Elkerlijk • late 15th century • Everyman represents all mankind • he is summoned by God, tries to convince several friends to accompany him
allegoricalcharacters, personifyingabstractideas: • Fellowship • Kindred, Cousin • Goods • GoodDeeds • Knowledge • Beauty, Strength, Discretion, FiveWits along the way theyallabandonhim, exceptGoodDeeds
in time plays were also performed in inns (inner courtyard), in noble houses, at court
Elizabethan Theatre • it was influenced by Humanism, which developed in all Europe • authors were supported by the Queen • the Queen had to approve all the plays (Master of Revels) • theatre was considered a form of entertainment and not an art
The Stage • composed of: • a baldachin that covered it • the inner stage behind a • curtain • a balcony • a garret where there were • machines • a trap door
The Audience • plays attracted people from all classes • royals • nobles • commoners • a theatre could hold from 1500 to 3000 people; tickets cost different prices (standing, more or less comfortable seats, shelter)
The Scene • actors used very simple objects • they represented physical sensation and feelings with words • the theatre building was closely linked with the performance
The actors • The Actors • the reputation of early Elizabethan actors was not good • later they became the equivalent of today’s superstars • only men; young boys played female roles
it was built from the timbers of “ The Theatre ” in 1559 • it went up on flames in 1613 • it was destroyed another time by Puritans in 1644 • most of the Globe and all of its stage was open air The Globe
above the main entrance there was the inscription “Totus mundus agit histrionem" (the whole world is a playhouse) • Richard Burbage built the Globe for the Chamberlain’s Men • Shakespeare appeared as an actor on the Globe’s stage