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“Yet Do I Marvel”. Brian Conrad. Diction. The author chooses words that appeal to Christianity and mythology to show God’s impact on all aspects of thought and life. God is referred to as “He” and is capitalized, showing that the author is not speaking of a mythological god.
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“Yet Do I Marvel” Brian Conrad
Diction • The author chooses words that appeal to Christianity and mythology to show God’s impact on all aspects of thought and life. • God is referred to as “He” and is capitalized, showing that the author is not speaking of a mythological god. • “Tantalus” and “Sisyphus” reference stories in Greek mythology.
Imagery • The author uses visual imagery to show God’s cruelty despite the fact that the author has no doubt that “God is good.” • Mythological scenes of Tantalus being “baited by the fickle fruit” and Sisyphus having to “struggle up a never-ending stair” are included to demonstrate the author marveling about God’s “ways.” • A final scene describes the poet’s true feelings in which God makes “a poet black” and “bid him sing,” which refers to the author.
Details • The line, “to make a poet black, and bid him sing,” is included to show the author’s inner sadness. • The author questions why God is so cruel and forces the poet to “sing,” even though the poet is sad or “black.” • The word “black” could also relate to the author’s race because Countee Cullen is a black poet.
Language • The language of the poem relies heavily on allusion to mythology and Christianity. • “Tantalus,” “Sisyphus,” “God,” “Him” • The allusions give historical examples of how God’s actions could be viewed as cruel, but the poet keeps face by stating “God is good.”
Structure • The author begins the poem by stating that he does not doubt God’s will to state his beliefs and to not offend the reader with his next statements. • The author then provides evidence of God’s cruelty through allusions to Tantalus and Sisyphus. • The author ends the poem with a statement of curiosity of why God would put people through these difficult situations.