Poetry Terms and Techniques

1. Poetry Terms and Techniques

2. Types of Poetry • Narrative Poetry- a narrative poem is one that tells a story. Types of narrative poetry include ballads and epics. • Lyric Poetry- a highly musical verse that expresses the emotions of the speaker. Common types are sonnets, odes, free verse and elegies. • Dramatic poetry- a dramatic poem is a verse that relies heavily on dramatic elements such as monologue, or dialogue. Two types of dramatic poetry are dramatic monologue and soliloquy.

3. Ballad: a narrative poem, sometimes sung, that tells a dramatic story.

4. Acrostic poem: The first letters of the lines in an spell a word, often the subject of the poem. Another very incredibly Intelligent and intuitive Xena type warrior princess teacher with An attitude. Domo arigato gozaimashita

5. Epic : a long narrative poem centering on a heroic figure who represents the fate of a nation. Beowulf is an Old English heroic epic poem of anonymous authorship. In the poem, Beowulf, a hero of the Geats, battles three antagonists: Grendel, Grendel's mother; and, later in life after becoming a king, an unnamed dragon.

6. Concrete poem is written in a shape that adds meaning to the poem.

7. Free verse : poetry with no set rhythm or rhyme.

8. Blank verse: unrhymed iambic pentameter.

9. Elegy or Elegiac poem: a meditative poem mourning the death of an individual.

10. Dramatic monologue: a poem in which a character addresses an audience. • A fictional character, at a critical or dramatic point in life, addresses a particular “audience”, which his identifiable but silent. In the course of the monologue, we learn a great deal, often ironically, about the character who is speaking and the circumstance that have led to the speech.

11. Soliloquy • A form of monologue found most often in drama. It differs from a dramatic monologue in that the speaker is alone, revealing thoughts and feelings to or for oneself that are intentionally unheard by other characters in Shakespeare’s plays for example the principal characters’ reflections on how to act or questions of conscience are revealed in their soliloquies. “To be or not to be…” (Shakespeare’s Hamlet)

12. See if you can get this clue… The next poem rhymes with the last word in the above sentence. It originated in an archipelago famous for natural disasters, especially tsunamis and earthquakes.

13. Haiku: a three-line poem usually about nature, with this syllable pattern: 5,7,5. This style originated in Japan. The old bicycleleaning against the lamp postWill it fall over?

14. Alright poetic geniuses… What is another poem similar to haiku but longer?

15. Tanka: a five-line poem usually about emotions with this syllable pattern: 5,7,5,7,7. The tanka poem is very similar to haiku but tanka poems have more syllables and it uses simile, metaphor and personification. There are five lines in a Tanka poem. Line one - 5 syllables Beautiful mountains Line two - 7 syllables Rivers with cold, cold water. Line three - 5 syllable White cold snow on rocks. Line four - 7 syllables Trees over the place with frost. Line five - 7 syllables White sparkly snow everywhere. Tanka poems are written about nature, seasons, love, sadness and other strong emotions. This form of poetry dates back almost 1200 years.

16. Ode: a meditation or celebration of a specific subject. Excerpt from ODE ON A GRECIAN URN By John Keats What leaf-fringed legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loath? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy?

17. Let’s see if you get this one…. ___________ : a poem of fourteen lines in iambic pentameter.

18. Sonnet: a poem of fourteen lines in iambic pentameter. The New ColossusNot like the brazen giant of Greek fame, (a) With conquering limbs astride from land to land; (b) Here at our sea-washed, sunset gates shall stand (b) A mighty woman with a torch, whose flame (a) Is the imprisoned lightning, and her name (a) Mother of Exiles. From her beacon-hand (b) Glows world-wide welcome; her mild eyes command (b) The air-bridged harbor that twin cities frame. (a) "Keep, ancient lands, your storied pomp!" cries she (c) With silent lips. "Give me your tired, your poor, (d)Your huddled masses yearning to breathe free, (c) The wretched refuse of your teeming shore. (d) Send these, the homeless, tempest-tost to me, (c) I lift my lamp beside the golden door!" (d) Emma Lazarus, 1883

19. Shakespeare’s Sonnet 116 Let me not to the marriage of true minds (a)Admit impediments. Love is not love (b)Which alters when it alteration finds, (a)Or bends with the remover to remove. (b)O no, it is an ever fixed mark (c)That looks on tempests and is never shaken; (d)It is the star to every wand'ring barque, (c)Whose worth's unknown although his height be taken. (d)Love's not time's fool, though rosy lips and cheeks (e)Within his bending sickle's compass come; (f)Love alters not with his brief hours and weeks, (e)But bears it out even to the edge of doom. (f)If this be error and upon me proved, (g)I never writ, nor no man ever loved. (g)

20. A quick quiz: Do you know… • Stanza_________________ • Rhyme ________________ • Rhyme scheme ______________

21. Stanza: grouping of lines within a poem. • Rhyme: repetition of the same sound. • Rhyme scheme: a regular pattern of end rhyme in a poem.

22. Ok, so lets now go over common FORMS OF STANZA!

23. What’s a couplet? What’s a couplet? Je nais se pas!

24. Couplet: two lines of poetry that usually rhyme. Avocado Girl By: Ms. Aixa B. Rodriguez I am an ahuacatlof ancient days, Of both past and present ways. I am an aguacateof a familiar green, A nuyorbronxrican Queen. I am an avocadowith rough Bronx skin, both Latina and American.

25. Not bad.. Not bad.. How about a tercet? Or triplet?

26. Triplet or tercet: any three lines of poetry, whether as a stanza or as a poem, rhymed or unrhymed, metered or unmetered. I am a yellow dog who wishes he was a purple-spotted frog.

27. You are getting it! And now.. a quatrain?

28. Quatrain: four lines of poetry that usually have a rhyme scheme. • A quatrain is a poem, or a stanza within a poem, that consists always of four lines. It is the most common of all stanza forms in European poetry. The rhyming patterns include aabb, abab, abba, abcb. Example: aabb (from William Blake, "The Tyger") Tyger! Tyger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry?

29. A cinquain? A quintain? It’s driving me insane! You can do it! USE THE FORCE!

30. Cinquain: a five-line poem In summertime on Bredon The bells they sound so clear; Round both the shires they ring them In steeples far and near, A happy noise to hear. -A.E. Houseman, “Bredon Hill”

31. Does it ever end? • Sestet: six lines O, young Lochnivar is come out of the west, Through all the wide Border his steed was the best; And save his good broadsword he weapons had none, He rode all unarm’d, and he rode all alone. So faithful in love, and so dauntless in war. There never was knight like the young Lochnivar. - Sir Walter Scott, “Lochnivar”

32. Nope…. • Heptastich: seven lines The flower that smiles today Tomorrow dies; All that we wish to stay Tempts and then flies; What is this world’s delight? Lightning, that mocks the night, Brief even as bright. - Percy Bysshe Shelley, “Mutability”

33. Last one! I promise! • Octave: eight lines Labor is blossoming or dancing where The body is not bruised to pleasure soul, Nor beauty born out of its own despair, Nor blear-eyed wisdom out of midnight oil. O chestnut tree, great-rooted blossomer, Are you the leaf, the blossom, or the bole? O body swayed to the music, O brightening glance, How can we know the dancer from the dance? - William Butler Yeats, “Among School Children”

34. Quick quiz • Sestet: _________________________ • Heptastich: ______________________ • Octave: _________________________

35. Ok.. now Rhythm and Rhyme! Techniques of Poetry: Sound

36. Rhyme • End Rhyme- the use of rhyming words at the ends of lines. • Internal rhyme: use of rhyming words within lines • Slant Rhyme- use of rhyming sounds that are similar but not identical, as in rave and rove or rot and rock. (consonance is a type of slant rhyme).

37. Ok, ok… how about Alliteration and consonance?

38. Alliteration: repetition of initial consonant sounds. Sometimes some students decide to stand instead of sitting, to speak when someone isspeaking and simply act silly.

39. Consonance: same consonant sound Avocado Girl By: Ms. Aixa B. Rodriguez I am an ahuacatlof ancient days, Of both past and present ways. I am an aguacateof a familiar green, A nuyorbronxrican Queen. I am an avocadowith rough Bronx skin, both Latina and American.

40. Ok keep it clean… What is assonance?

41. Assonance: repetition of vowel sounds among words that begin or end with different consonants. "Do you like blue?". How now brown cow Hear the mellow wedding bells. — Edgar Allan Poe, "The Bells"

42. Meter and rhythm: movement and pattern in a poem. • Metrical verse follows a set rhythmical pattern. Free verse or vers libre, does not. • The meter of a poem is its rhythmical pattern. • English verse is made of rhythmical units called feet. A foot is made up of weakly stressed (˘) and strongly stressed (/) syllables.

43. Poetry has feet?

44. How many feet does your poem have?

45. Iambic pentameter: ten syllables with 2nd, 4th 6th, 8th, 10th syllables accented. • Shakespeare wrote in iambic pentameter.

46. Techniques of Poetry: Meaning • Image- language that creates a concrete representation of an object or an experience. • Objective correlative- group of images that together create a given emotion in a reader or listener. • Figure of speech or trope is an expression that has more than a literal meaning. • Hyperbole- an exaggeration made for rhetorical effect. • Metaphor- figure of speech in which one t thing is spoken or written about as if it were another. • Tenor of the metaphor is the writer’s actual subject. • The vehicle of the metaphor is the other thing to which the subject is compared or likened. • Personification and similes are types of metaphor.

47. Techniques of Poetry: Meaning cont’d • Metonymy- the naming of an object associated with a thing instead of the name of the thing itself. Ex: The White House for the President, or The Crown for the King. • Simile- a comparison using like or as. • Synaesthesia- a figure of speech that combines in a single expression images related to two or more different senses. Ex. Singing light. • Synecdoche- a figure of speech in which the name of a part of something is used in place of the name of the whole or vice versa. Ex. Hired hands = laborers

48. Rhetorical techniques • Rhetorical techniques are extraordinary but literal use of language to achieve a particular effect. • Antithesis- a rhetorical technique in which words, phrases or ideas are strongly contrasted often by repeating a grammatical structure. Ex; to err is human, to forgive divine.” • Apostrophe- rhetorical technique in which an object or person is directly addressed. • Catalog- a list of people or things • Chiasmus- a rhetorical technique in which the order of occurrence of words or phrases is reversed. Ex.: we can weather changes but we can’t change the weather. • Parallelism- a rhetorical technique in which a writer emphasizes the equal value or weight of two or more ideas by expressing them in the same grammatical form, as in the phrase “with hope, with joy, and with love.” • Repetition- writers conscious reuse of a sound, a word, phrase sentence or other element. • Rhetorical question: a question asked for effect but not meant to be answered because the answer is clear from the context.

49. Structure and Language in Poetry • Allegory- a narrative in prose or verse, in which abstract ideas, principles human values or states d of mind are personified. The purpose of the allegory is to illustrate the significance of the ideas by dramatizing them. Parable and fable are kinds of allegory in which a moral I illustrated in the form of a story.

50. Allusion • A reference to a historical event, to Biblical, mythological or literary characters and incidents with which the reader is assumed to be familiar. Allusion may , with few words, enrich or extend the meaning of a phrase or idea or image, Allusion may also be used for ironic effect. In his poem Out Rober frost expects the reader to recall from Macbeth’s final soliloquy the line “Out out brief candle “ Such expressions as “ a Herculean task” or “Achilles heel” are also forms of allusion.