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Exploring Forms in Minimalism: Eva Hesse's Repetition Nineteen

Dive into Eva Hesse's artwork 'Repetition Nineteen' with a focus on materials and variations, comparing different versions and their impact on the piece. Discover the essence of serial art and the influence of repetition in Minimalism. Sol LeWitt's perspective adds depth to the exploration.

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Exploring Forms in Minimalism: Eva Hesse's Repetition Nineteen

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  1. Minimalism

  2. Serial Forms and Repetition MoMA Minimalism Theme

  3. Yayoi Kusama. Accumulation of Stamps, 63. 1962. MoMA Minimalism Theme

  4. Eva Hesse. Repetition Nineteen III. 1968. MoMA Minimalism Theme

  5. Eva Hesse. Repetition Nineteen III. 1968. MoMA Minimalism Theme

  6. Eva Hesse. Repetition Nineteen, Second of 3 versions. 1967. MoMA Minimalism Theme

  7. Eva Hesse. Repetition Nineteen. 1967. MoMA Minimalism Theme

  8. Eva Hesse. Repetition Nineteen I. 1967-68. MoMA Minimalism Theme

  9. Let’s compare these two versions of Repetition Nineteen Eva Hesse. Repetition Nineteen I. 1967. • The earlier version is made with paper maché, aluminum screen and paint. The latter version is made with fiberglass. • How do the materials change the piece? Eva Hesse. Repetition Nineteen III. 1968. MoMA Minimalism Theme

  10. “The serial artist does not attempt to produce a beautiful or mysterious object but functions merely as a clerk cataloging the results of his premise.” – Sol LeWitt Sol LeWitt. Serial Project, I (ABCD). 1966. MoMA Minimalism Theme

  11. Sol LeWitt. (332) From all Three-Part Variations on Three Different Kinds of Cubes. 1967-69. “The serial artist does not attempt to produce a beautiful or mysterious object but functions merely as a clerk cataloging the results of his premise.” – Sol LeWitt MoMA Minimalism Theme

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