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Chapter 23: Romantic Opera: Italy

Chapter 23: Romantic Opera: Italy. Giuseppe Verdi (1813-1901). Most popular opera composer throughout Europe His operas are performed more than any others Early operas supported Italian nationalism Promoted a united Italy Dramas turned to domestic themes and personal conflict

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Chapter 23: Romantic Opera: Italy

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  1. Chapter 23:Romantic Opera: Italy

  2. Giuseppe Verdi (1813-1901) • Most popular opera composer throughout Europe • His operas are performed more than any others • Early operas supported Italian nationalism • Promoted a united Italy • Dramas turned to domestic themes and personal conflict • Opera standards include: Rigoletto (1851), La traviata (1853), Il trovatore (1853), Aida (1871)

  3. Verdi’s Dramaturgy and Musical Style • Conflict – personal or national – the root of every emotion • Clear expression of emotion • Emotional states almost melodramatic • Intense passion and nonstop action • Recitativo accompagnato: Orchestra accompanies the recitative; Smooth transitions between recitative and aria • Arias push singers to the utmost of their range • Bel canto style

  4. La traviata (1853) • “The Woman Gone Astray” • Based on a story (Camille) by Alexandre Dumas • Pits passionate love against middle-class morality • “Un di felice” • Gala party at the end of the first act • Alfredo and Violetta sing to each other

  5. La traviata, Act I, Scene 6 • A Scena • Slow aria (“Ah fors´è lui”) • Recitative accompagnata (“Follie!”) • Cabaletta (“Sempre libera”) • A fast-paced concluding aria • Virtuosity serves a dramatic purpose • Allows character to rush off stage

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